Name: Roméo et Juliette
Start: 2022-09-30T00:00:00.000Z
End: 2022-09-30T00:00:00.000Z
Location: Maison de la musique

Organization

Conductor

Daniel Harding

Chorus master

Lionel Sow

Singer

Virginie Verrez

Mezzo soprano

Tenor

Andrew Staples

Bass

Edwin Crossley-Mercer

Others

Chœur de Radio France

Orchestra

Orchestre Philharmonique de Radio France

Maison de la Radio et de la Musique

Roméo et Juliette -  (Romeo and Juliet)

Nanterre

France

Maison de la musique

Public

Romeo and Juliet

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Baritone

Contralto

Mezzo-soprano

Soprano

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

Roméo et Juliette Berlioz

Bien des compositeurs ont illustré le mythe de Roméo et Juliette, sous la forme de l’opéra (Bellini, Gounod), du ballet (Prokofiev) ou de l’ouverture-fantaisie (Tchaïkovski). Berlioz, lui, a choisi une autre voie : celle de la symphonie, qui lui a permis de « donner à sa fantaisie une latitude que le sens positif des paroles chantées ne lui eût pas laissée, et recourir à la langue instrumentale, langue plus riche, plus variée, moins arrêtée, et, par son vague même, incomparablement plus puissante en pareil cas ». Il n’a cependant pas entièrement renoncé à la voix, qui vient annoncer et commenter l’action évoquée par l’orchestre, et couronne le tout à la manière d’un grand finale d’opéra. Berlioz invente là le prototype de la symphonie dramatique.

français

Many composers have illustrated the myth of Romeo and Juliet, in the form of opera (Bellini, Gounod), ballet (Prokofiev) or overture-fantasy (Tchaikovsky). Berlioz himself chose another path: that of the symphony, which enabled him to "give his imagination a latitude that the positive meaning of the sung words would not have left him, and to resort to instrumental language, a richer language , more varied, less fixed, and, by its very vagueness, incomparably more powerful in such a case. However, he has not completely given up on the voice, which announces and comments on the action evoked by the orchestra, and crowns the whole thing like a grand opera finale. Berlioz invents the prototype of the dramatic symphony there.

English

Romeo and Juliet by Berlioz, Alkaen (2022/2022), Musiikinjohto Daniel Harding, Maison de la musique, Nanterre, France

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