Name: “royal” Handel!
Start: 2022-04-02T00:00:00.000Z
End: 2022-04-02T00:00:00.000Z
Location: Auditorium du Conservatoire

Organization

Cantante

Mezzosoprano

Eva Zaïcik

Ensemble

Justin Taylor

Atelier Lyrique de Tourcoing

Orchestra

Le Consort

“royal” Handel!

Tourcoing

Francia

Auditorium du Conservatoire

Public

Concerto

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Continuo

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chefdirigent Musiktheater

Chorus Director

Composizione

Coreografia

Coro

Costumi

Direzione d'orchestra

Direzione del coro

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Luci

Maestro ripassatore

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Regia

Scenografia

Stage Manager

Suono

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Basso

Basso-baritono

Contralto

Tenore

Baritono

Controtenore

Soprano

Alto

Mimi

Narrazione

Voce bianca

London, February 1719: the birth of the Royal Academy of Music. George Frideric Handel was appointed musical director. German-born Handel, having spent four years in Italy, wanted to make London the new capital of opera.  The only language to be sung on the stage of the King’s Theatre was to be Italian, and two other composers, Attilio Ariosti and Giovanni Battista Bononcini, were imported from the Italian peninsula. Both men were string players and contributed a new instrumental sweep to the company.
Public enthusiasm reached considerable heights: thirty-four operas – more than 460 performances in all – were given at the Royal Academy over a period of nine years. Handel premiered his masterpieces Giulio Cesare in Egitto, Ottone and Radamisto. Ariosti and Bononcini also enjoyed great success between 1720 and 1723, notably with Coriolano (Ariosti) from which the sublime aria ‘Sagri numi’ is taken.  ‘Royal Handel’ is a musical portrait of the first Royal Academy of Music. Eva Zaïcik and her partners in Le Consort celebrate the prodigious variety of the Handelian genius and introduce us to previously unrecorded arias by Ariosti and Bononcini: ‘We are captivated by the ghostly sonorities of “Stille amare”, the engulfing fury of “Agitato da fiere tempeste”, the virtuosity of “Gelosia, spietata Aletto”, the swirling excitement of “L’aure che spira”, the ascetic counterpoint of “Ombra cara” and the poignancy of “Deggio morire”.’

'Royal Handel' by Eva Zaïcik & Le Consort [EPK]

London, February 1719, birth of the Royal Academy of Music. Georg Friedrich Handel is appointed musical director. Originally from Halle, having spent four years in Italy, Handel wants to make London the new capital of opera.

The enthusiasm is considerable: 34 operas and more than 460 performances will be given in nine years at the Royal Academy. Handel creates his masterpieces Giulio Cesare in Egitto , Ottone and Radamisto there . Two Italian composers, Ariosti and Bononcini, also enjoyed great success in London between 1720 and 1723, notably with Coriolano (Ariosti) and his sublime aria Sagri numi . ROYAL HAENDEL is a musical portrait of the first Royal Academy of Music. Eva Zaïcik and her accomplices of the Consort celebrate the prodigious variety of Handelian genius and make us discover new arias by Ariosti and Bononcini.

English

“royal” Handel! by Various, Da (2022/2022), Auditorium du Conservatoire, Tourcoing, Francia

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