Name: Satyricon
Start: 2013-01-23T00:00:00.000Z
End: 2013-01-23T00:00:00.000Z
Location: Theater an der Wien

Organization

Chanteur

Ténor

Christoph Homberger

Trimalchio

Soprano

Ursula Langmayr

Criside

Johanna von der Deken

Quartilla

Basse

Colin Mason

Niceros

Baryton-basse

Gerd Kenda

Eumolpus

Direction d'orchestre

Emilio Pomárico

Mezzo-soprano

Janina Baechle

Fortunata

MusikTheater an der Wien

Others

Klangforum Wien

Satyricon

Vienne

Autriche

Theater an der Wien

Valide

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Acteur

Autre

Choeur

Chorus Director

Chorégraphie

Coach vocal

Coiffure

Compositeur

Costumes

Danse

Diffusion

Direction de choeur

Dramaturgie

Décors

En charge de la production

Extra

Illustrator

Livret

Lumières

Maquillage

Mise en scène

Orchestra Operations

Orchestre

Photographer

Poet

Prof

Répétiteur

Stage Manager

Traduction

Video

Wig & Makeup Designer

Writer

Writing and performance

Contre-ténor

Baryton

Contralto

Alto

Continuo

Rôle muet

Rôle parlant

Voix d'enfant

In his only partially preserved novel Satyriconthe Roman senator Titus Petronius castigates the perverted debauchery of the nouveau riche upper class in Rome at the time of Nero. Petronius, nicknamed the “arbiter” because he was Nero's “arbiter” of elegance, portrays the political and social decadence of a society on the edge of the abyss with apparent naivety. In 1973, the year he died, Bruno Maderna set the satirical inventory of a society that was dissolving to music. The focus is on the Trimalchio's feast. The former slave has achieved immeasurable wealth, which he flaunts on display in a feast. Maderna worked on this part musically and uncovered the parallels to the twentieth century by means of contemporary expression. The piece avoids any moralizing statement, but creates cross-references through the musical collage technique to the present day. Maderna self-deprecatingly claimed that not a single note was from him. In disordered, loosely arranged scenes, which can be supplemented by recordings, he paints the picture of a society that is bound to perish due to its own decadence. In complete isolation, only music can comfort the broken souls.

English

Satyricon by Maderna, mer. 23 janv. 2013, Du (2013/2013), Chef d'orchestre Emilio Pomárico, Theater an der Wien, Vienne, Autriche

Crédits de représentation (Distribution et équipe de production )

Distribution

Programme, À Propos & Synopsis

Lectures complémentaires

Dates et lieux de représentation

Salles