Name: Simon Rattle conducts Bernstein’s “Wonderful Town” at the 2002 New Year’s Eve Concert
Start: 2002-12-31T00:00:00.000Z
End: 2002-12-31T00:00:00.000Z
Location: Berliner Philharmonie

Organization

Conductor

Simon Rattle

Singer

Tenor

Timothy Robinson

Baritone

Thomas Hampson

Carl Hammond

Pianist

Wayne Marshall

Chorus master

Simon Halsey

Orchestra

Berliner Philharmoniker

Simon Rattle conducts Bernstein’s “Wonderful Town” at the 2002 New Year’s Eve Concert

Berlin

Germany

Leonard Bernstein’s Wonderful Town is a wonderfully swinging homage to 1930s New York: full of wit and irony, with beautiful melodies and pulsating rhythms. Simon Rattle presented the work in 2002 at his first New Year’s Eve concert with the Berliner Philharmoniker with the support of soloists from the stages of Broadway and the celebrated baritone Thomas Hampson as the star guest – a “joyful musical melee”, as the press described the evening.

Berliner Philharmonie

Simon Rattle conducts Bernstein’s “Wonderful Town” at the 2002 New Year’s Eve Concert: Concert Various

Public

Concert

Approved

When he conducted his first New Year’s Eve Concert with the Berliner Philharmoniker, Sir Simon Rattle delighted his audience in the capital by declaring his love for another “wonderful town”: on the programme were excerpts from Bernstein’s musical Wonderful Town featuring swinging music of the finest kind performed by soloists from the stages of Broadway and by a home-grown band that was in the very best of possible moods.

The tale of two sisters from Ohio who find happiness and love in the “Big Apple” is a brilliant homage to the swinging, highly charged New York of the 1930s. With wit and irony Bernstein combines popular musical styles of the age, including the conga, swing and ragtime, with mellifluous ballads, the score as a whole characterised by irresistible pulsating rhythms that are among the composer’s hallmarks and that may be regarded as the epitome of dynamic metropolitan life on the banks of the Hudson at least since the time of the international success of West Side Story.

On this particular evening the Berlin Philharmonie was transformed into the sort of theatre associated with big shows, with lighting effects and a hint of dry ice delighting audience and press alike: “The Philharmoniker, their numbers swelled by a cohort of saxophonists recalling the world of big bands, played altogether fabulously, bringing to bear on the score the literally boundless luxury of their musical resources” (Berliner Zeitung), while their new principal conductor “threw himself with fresh-faced enthusiasm into the musical battle” (Berliner Morgenpost).

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