Name: Sol Gabetta Following The Footsteps Of Lisa Cristiani (1825-1853) – Trans-mission Ii
Start: 2024-08-02T00:00:00.000Z
End: 2024-08-02T00:00:00.000Z
Location: Kirche Saanen

Organization

Admin

Gstaad Menuhin Festival

Instrument

Sergio Ciomei

Klavier

Sol Gabetta

Violoncello

Dmitry Smirnov

Violine

Cellist

Cello 1

Geiger

Violin I

Sol Gabetta Following The Footsteps Of Lisa Cristiani (1825-1853) – Trans-mission Ii

Saanen

Schweiz

Kirche Saanen

Sol Gabetta Following The Footsteps Of Lisa Cristiani (1825-1853) – Trans-mission Ii: Schwanengesang, D 957 Schubert (+10 More)

Public

Concert

Konzert

Schwanengesang

Prière et boléro, Op.22

“Le Cor des Alpes” by Proch, Op. 15

Adagio et Bolero, Op.21

Fantaisie sur 'Lucia di Lamermoor'

Fantaisie sur I Puritani

Variations on a Theme of Rossini's “William Tell”

Une larme

Souvenir de Spa, op.2

Fantaisie sur deux Airs Russes, Op.13

Lied ohne Worte, op. 109

Rahul Karaguppi

Genehmigt

There was a time when it was considered bold, sometimes even daring, for a woman to pursue a career in the art world, especially if that journey involved playing the cello – an instrument which completely contradicted any societal norms in terms of playing posture. Lisa Cristiani embodied such courage and her concerts as a great virtuoso were adored by audiences! She specialised in the unique art of arranging melodies and arias from popular operas for her instrument. This not only enchanted the audiences of her era, but also captured the attention of several composers, including Felix Mendelssohn Bartholdy, who found inspiration in her talent. As the true trailblazer of the most exciting rediscoveries, Sol Gabetta unfolds the cello’s full virtuosic potential. Masters such as Saint-Saëns and Lalo, followed a bit later by Dvořák and Tchaikovsky, had already sensed the tremendous romantic richness of the instrument. Through her programme, the cellist piques curiosity for more early pioneers like Anna Kull, Hélène de Katow or Róza Szuk ... remarkable artists who, in the future, should be once again thrust into the limelight, much like Lisa Cristiani.

English

Sol Gabetta Following The Footsteps Of Lisa Cristiani (1825-1853) – Trans-mission Ii by Schubert, Offenbach, Franchomme, Batta, A., Rossini, Servais, A., Mendelssohn, Ab (2024/2024), Kirche Saanen, Saanen, Schweiz

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