Name: SOUND UP: LOVE.EPILOGUE INT
Start: 2022-02-18T00:00:00.000Z
End: 2022-02-18T00:00:00.000Z
Location: Museum of Moscow - Москва

Organization

Sound Up

Regie

Vera Martynov

Concept

Choreographie

Albina Vakhitova

Übersetzung

Andrei Bronnikov

Sänger

Victoria Bryzgalova

Dancer

Evgeny Pankratov

Alina Guzhva

Alexander Gordeev

Lichtgestaltung

Stas Svistunovich

Tongestaltung

Sergey Kochetkov

Arina Zvereva

Voice

Ilya Laptev

Olga Rossini

Sergey Malinin

Others

Vocal quartet N'Caged

Ballet

SAAD dance company

SOUND UP: LOVE.EPILOGUE /INT/

Moskau

Russland

Museum of Moscow - Москва

Mar 21, 2022
Мusic and scenes with lyrics by Ezra Pound

Premiered February 18, 2022
Sound Up festival, Moscow

Composer Alexey Sysoev
Concept, director Vera Martynov
Choreographer Albina Vakhitova | SAAD dance company
Script by Irina Shulzhenko, Alexey Sysoev, Vera Martynov
Literary consultant and poem's translator Andrei Bronnikov

Vocal quartet N'Caged:
Arina Zvereva, Ilya Laptev, Olga Rossini, Sergey Malinin

Performers:
Victoria Bryzgalova, Evgeny Pankratov, Alina Guzhva, Alexander Gordeev

Sound engineer Sergey Kochetkov
Lighting designer Stas Svistunovich

SOUND UP: LOVE.EPILOGUE /INT/: Love.Epilogue Sysoev

Public

Love.Epilogue

Genehmigt

Мusic and scenes with lyrics by Ezra PoundPremiered February 18, 2022Sound Up festival, MoscowComposer Alexey SysoevConcept, director Vera MartynovChoreograp...

Performance LOVE.EPILOGUE premiered on February 18, 2022, in the Museum of Moscow, commissioned by the independent music festival SOUND UP.

Мusic and scenes with lyrics by Ezra Pound.
Ezra Pound is one of the most influential poets of the 20th century; his contributions to modernist poetry were enormous. But unfortunately, Pound is one of the most prominent victims of the call-out culture. Taking the poetry of Pound, the authors of the performance composer Alexye Sysoev and director Vera Martynov provoked a discussion around such a phenomenon as the cancel culture, which destroys the artist without trial or investigation, leaving the artist with no right to the last word.

Being a sensitive, sensual, and public person, often a vain and vulnerable figure, the artist becomes an easy victim of political games. The Pound's example shows how easily romantic ideas, taken out of context, become a tool in a politician's or society's hands.

English

Aufführungskredite (Besetzung & Produktionsteam )

Besetzung

Produktionsteam

Ensemble