Artist

Admin

Pianist

Patrizia Priarone

Singer

Soprano

Iolanda Massimo

Mezzo-soprano

Alena Sautier

Tenor

Antonio Mandrillo

Bass

Mariano Buccino

Conductor

Claudio Marino Moretti

Teatro Carlo Felice

Others

Chorus of Teatro Carlo Felice di Genova

Stabat Mater, op.58 -  (Stabat Mater)

Genoa

Italy

Public

Private

Stabat Mater

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Countertenor

Contralto

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Stabat Mater: Stabat Mater Dvořák,A

Dvořák's first sacred work with soloists and choir of the Opera Carlo Felice Genova directed by Claudio Marino Moretti invites you to meditate.
The  Stabat Mater  opens the chapter of Dvořák's sacred music, which will culminate in the masterpieces of  Requiem  and  Te Deum. The score, which began in February 1876 following the loss of his daughter Josefa, was carried out by Dvorak with unusual slowness, while fate continued to reserve new devastating tests for the composer, with the subsequent death of his eldest daughter and another son, of four years. The first version, from 1876, for solos, choir and piano will be followed by the completion of the orchestral version in 1877. The cantata consists of ten numbers, of which only the first and last are thematically interconnected, with the resumption of the initial themes, in major way, in the sumptuous final fugue. The score was completed in Prague on November 13, 1877, and the first performance took place only three years later, on December 23, 1880, on behalf of the Prague Music Artists Association, to which Dvořák dedicated the composition. A year and a half later, the opera had two other performances in Prague, and one in Budapest. In March 1884, under the direction of the author, lo Stabat  achieved a great success at the Royal Albert Hall in London, with a group of 800 choristers, followed by numerous other European performances.

English

La prima opera sacra di Dvořák con solisti e Coro dell’Opera Carlo Felice Genova diretto da Claudio Marino Moretti invita alla meditazione.
Lo Stabat Mater apre il capitolo della musica sacra di Dvořák, che culminerà nei capolavori del Requiem e del Te Deum. La partitura, iniziata nel febbraio 1876 a seguito della perdita della figlia Josefa, fu portata avanti da Dvorak con inconsueta lentezza, mentre il destino continuava a riservare nuove devastanti prove al compositore, con la successiva morte della figlia primogenita e di un altro figlio, di quattro anni. Alla prima versione, del 1876, per soli, coro e pianoforte seguirà il completamento della versione orchestrale nel 1877. La cantata consta di dieci numeri, dei quali solo il primo e l’ultimo sono tematicamente interconnessi, con la ripresa dei temi iniziali, in modo maggiore, nella sontuosa fuga finale. La partitura venne ultimata a Praga il 13 di novembre 1877 e la prima esecuzione avvenne solo tre anni più tardi, il 23 dicembre 1880, per conto dell’Associazione degli artisti della musica di Praga, cui Dvořák dedicò la composizione. Un anno e mezzo dopo, l’opera ebbe altre due esecuzioni praghesi, ed una a Budapest. Nel marzo 1884, sotto la direzione dell’autore, lo Stabat ottenne un grandioso successo alla Royal Albert Hall di Londra, con un complesso di ben 800 coristi, cui seguirono numerose altre esecuzioni europee.

italiano

Stabat Mater by Dvořák, st 20 čvc 2022, Od (2022/2022), Dirigent Claudio Marino Moretti

Výkonnostní kredity (Obsazení a tým )

Obsazení

Osádka

Soubor

Program, Informace a Synopsis

Fotografie

Další čtení

Termíny a místa představení

Divadla/scény