Name: Stabat Mater
Start: 2022-04-28T00:00:00.000Z
End: 2022-05-05T00:00:00.000Z
Location: Salle Olivier Messiaen

Organization

Dyrygent

Fransesco Corti

Śpiewak

Sopran

Giulia Semenzato

Soprano

Mezzosopran

Giuseppina Bridelli

Mezzosoprano

Les Musiciens du Louvre

Stabat Mater

Lyon

Francja

Opéra Nouvel de Lyon

Grenoble

Salle Olivier Messiaen

Stabat Mater Pergolesi

Public

Approved

Accordionist

Instrumentalista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Chefdirigent Musiktheater

Choreografia

Chorus Director

Chór

Dramaturgia

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Kostiumy

Libretto

Makijaż

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

Przygotowanie chóru

Realizacja dźwięku

Reżyseria

Reżyseria światła

Scenografia

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wideo

Wig & Makeup Designer

Writer

Writing and performance

Tenor

Baryton

Kontralt

Bas - baryton

Kontratenor

Alto

Continuo

Głos dziecięcy

Silent

Spoken

Pergolese 's Stabat Mater is surely the most famous sacred page of the Neapolitan school of the first half of the 18th century. Its distribution throughout Europe after the early death of the composer is extraordinary : the work is very early printed in London and Paris. This masterpiece is set in a context of rapid musical production aimed at satisfying the constant demand for new music from the churches and chapels of Naples as demanding as the opera theatres. The imposing sacred productions of Leonardo Leo and Nicola Porpora testify to this. The devotion to the Virgin Mary inspires particularly moving pages such as the painful Salve Reginaof Leo, or that of Porpora. The effervescence of the Neapolitan musical milieu (particularly that of the "conservatori"), attracted many foreigners, who in turn spread this new musical style in Europe. The Neapolitan style will open the doors to European classicism, concentrating its expression on extremely natural singing lines, alternating introverted and typically “cantabili” movements, with virtuoso allegros. The School of Naples is the last which, until the middle of the 19th century, will preserve the great tradition of counterpoint and “scholarly” music, by cultivating the composition of complex pieces with tortuous harmonies and strict counterpoint. All of these influences are found, with an extraordinary balance, in theStabat Mater by Pergolese.

At the time, composers had a lot to do to satisfy the constant demand from the city's many churches and chapels, which were just as demanding as the opera theatres.
The devotion to Mary inspires particularly moving pages such as the painful Salve Regina by Léo, or that of Porpora, recently rediscovered.
Motivated by the local musical vitality, foreign composers like the German Hasse flocked and developed the Neapolitan style.
This opens up to European classicism, with its natural singing lines, its introverted and “cantabili” movements which alternate with virtuoso allegros.
Despite everything, Naples retained until 1850 (it would be the last) the tradition of counterpoint and learned music born at the end of the 17th century. The Concerti of Fiorenza testify to this, whose complex composition combines tortuous harmonies and strict counterpoint.

English

Stabat Mater by Pergolesi, czw 05 maj 2022, od (2022/2022), Dyrygent Fransesco Corti, Salle Olivier Messiaen, Grenoble, Francja

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