Name: Stabat Mater, op.58
Start: 2022-10-01T00:00:00.000Z
End: 2022-10-01T00:00:00.000Z
Location: Müpa Budapest

Organization

Conductor

Gábor Hollerung

Singer

Soprano

Adrienn Miksch

Mezzo-soprano

Atala Schöck

Tenor

Szabolcs Brickner

Bass

Krisztián Cser

Müpa Budapest

Orchestra

Dohnányi Orchestra Budafok

Others

Budapest Academic Choral Society

Stabat Mater, op.58 -  (Stabat Mater)

Budapest

Hungary

Public

Stabat Mater

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Bass-baritone

Countertenor

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

Music historians usually associate the writing of the piece with the loss of his child, and he also lost two other children while composing the work. The Stabat Mater can also be considered one of the outstanding works of Christian culture, because even while communicating endless pain, it finally goes on to express faith in life. The unique value of the piece lies in how, despite the extraordinary emotional profundities, it is always organised into well-disciplined and clearly framed movements, which in their structure, dramaturgy, and relationship to each other show an incredible number of faces of pain. Framing the work are the opening and closing movements. The opening movement is genesis-type music, which can be interpreted as the birth of pain. The beginning of the final movement is a reprise of the first movement. The other movements are mostly march-like in character: the Eia Mater is a funeral march, while the Fac me vere for male choir and tenor soloist is likewise a military march. The most beautiful movement in the piece, the Inflammatus et accensus, written for an alto soloist, is monotone march music conveying the act of moving in place The choral movement that closes the first half of the piece, the Tui nati, is a real rocker. Naturally, not even Dvořák was immune from the influence of Italian opera. The Quis est homo movement is a characteristically operatic quartet incorporating a collision of different types of musical material. A similarly operatic moment is the desperate and pained aria of the bass soloist, with what sounds like a heavenly choir singing from behind the scenes. Supplementing this performance of the Stabat Mater will be projections of both the text and artworks related to the theme of the work.

English

Stabat Mater by Dvořák, Nuo (2022/2022), Dirigentas Gábor Hollerung, Müpa Budapest, Budapest, Hungary

Veiklos kreditai (Atlikėjai ir kūrėjai )

Atlikėjai

Ansamblis

Programa, apie ir aprašymas

Nuotraukos

Toliau skaitant

Spektaklio datos ir vietos

Vietos