Organization

Opernfestspiele Heidenheim

Set designer

Stefan Brandtmayr

Costume designer

Cornelia Kraske

Lighting designer

Hartmut Litzinger

Chorus master

Michaela Dvořáková

Conductor

Marcus Bosch

Stage director

Georg Schmiedleitner

Singer

Bass

Tijl Faveyts

Hermann

Tenor

James Kee

Tannhäuser

Corby Welch

Baritone

Birger Radde

Wolfram of Eschenbach

Martin Mairinger

Walther of the Vogelweide

Bass-baritone

Young Kwon

Biterolf

Soprano

Leah Gordon

Elizabeth

Mezzo-soprano

Heike Wessels

Venus

Anne Schuldt

Christian Sturm

Heinrich the scribe

Gerrit Illenberger

Reinmar of Zweter

Julia Duscher

A young shepherd

I Teatri di Reggio Emilia

Teatro Comunale di Modena

Others

Chœur Philharmonique Tchèque de Brno

Orchestra

Orchestra dell'Emilia Romagna Arturo Toscanini (OERAT)

Reggio Emilia

Italy

Teatro Municipale Valli

Modena

Teatro Comunale Pavarotti-Freni

Tannhäuser Wagner,Richard

Public

Private

Approved

"With the Tannhäuser I intend to provoke a great revolution, because I feel that with it I have taken a gigantic step in the direction of my ideal", wrote Wagner of the work which, with the gigantic scandal caused in Paris by the execution of 1861, had consecrated him as that "artist of the future" to whom, from Baudelaire onwards, all modern art will look: unavoidable touchstone, for better or for worse, for the rest of the 19th century and much beyond

English

«Con il Tannhäuser intendo provocare una grande rivoluzione, perché sento che con esso ho compiuto un passo gigantesco nella direzione del mio ideale», scriveva Wagner dell’opera che, col gigantesco scandalo provocato a Parigi dall’esecuzione del 1861, lo aveva consacrato come quell’“artista dell’avvenire” a cui, da Baudelaire in poi, guarderà tutta l’arte moderna: pietra di paragone ineludibile, nel bene e nel male, per il resto dell’800 e molto oltre

italiano

Izrādes kredīti (Izpildītāji un radošā komanda )

Lomās

Radoša komanda

Ansamblis

Līdzproducents