Name: The Great God Pan
Start: 2018-03-10T00:00:00.000Z
End: 2018-03-14T00:00:00.000Z
Location: Chopin Theatre

Organization

Pianist

Casey Baker

Tyler Kivel

Singer

Aaron Wardell

Raymond

Tobias Wright

Clarke

Christina Pecce

Helen

Vince Wallace

Villiers

Bridget Skaggs

Austin

Quinn Middleman

Rachel

Thomas Bailey

Meyrick

Maureen Smith

Mary

Marysa Abbas

Trevor

Mark Haddad

Herbert

Katherine Bruton

Jonathan Zeng

Conductor

Catherine O’Shaughnessy

Stage director

George Cederquist

Set designer

Patrick Rizzotti

Costume designer

Caitlin McLeod

Lighting designer

Erik S Barry

Chicago Fringe Opera

The Great God Pan

Chicago

United States

Chopin Theatre

The Great God Pan Crean

Public

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Bass-baritone

Tenor

Baritone

Contralto

Bass

Soprano

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

Scientific hubris, transcendental medicine, and the unexplainable supernatural.
The Great God Pan takes its story from an eponymous 1890 novella by Welsh author Arthur Machen, which explores themes of scientific hubris, transcendental medicine, and unexplainable supernatural behavior. Composer Ross Crean adapted Machen’s narrative into the work’s libretto himself, an ambitious and rare undertaking for a composer. The story begins with a surgery gone wrong. Dr. Raymond invites Mr. Clarke to witness an important experiment based on elements of nontraditional, ancient rituals. Raymond sacrifices his ward, Mary, as the subject of his attempt to access a higher spiritual plane – referred to as, “seeing the Great God Pan” – and unwittingly initiates a series of mysterious supernatural occurrences that Clarke encounters over the next few decades. Crean’s ingenuity in composing the accompanying piano parts with the sounds of strumming and plucking combine to make the music that much more vibrant. — Courtesy Naxos of America

English

The Great God Pan by Crean, Tne 12 Mar 2018, Minn (2018/2018), Immexxi minn George Cederquist,, Surmast Direttur Catherine O’Shaughnessy, Chopin Theatre, Chicago, United States

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