Organization

Sänger

Tenor

Peter Berger

Manolios

Petr Levíček

Panait

Bass-Bariton

Jan Šťáva

Priester Grigoris

David Szendiuch

Priester Fotis

Ondřej Koplík

Yannakos

Bariton

Jiří Miroslav Procházka

Kostandis

Sopran

Andrea Široká

Lenio

Sprechrolle

Robert Musialek

Ladas

Petr Karas

Patriarcheas

Dušan Růžička

Michelis

Tadeáš Hoza

Nikolio

Vít Nosek

Andonis

Jitka Zerhauová

Ein altes Weib

Tereza Merklová Kyzlinková

Despinio

Regie

Jiří Heřman

Dirigat

Robert Kružík

Kostümbild

Alexandra Grusková

Bühnenbild

Dragan Stojčevski

Choreographie

Kateřina Nováčková

Dramaturgie

Patricie Částková

Chordirektion

Pavel Koňárek

Harold Meers

Pavla Vykopalová

Die Witwe Katerina

Roman Hoza

Václav Čížek

Michal Vajda

Valeria Maťašová

Boris Trhlík

malý Manolios

Bass

Josef Škarka

Ein alter Mann

Kryštof Cholava

ND Brno

Others

Chlidren’s Choir Brno

Český akademický sbor

Englisch

The Greek Passion -  (Griechische Passion)

Brno

Tschechien

Janáčkovo divadlo

The Greek Passion Martinů

Public

Griechische Passion

Tschechisch

Deutsch

Genehmigt

The Greek Passion Martinů7

Bohuslav Martinů: ŘECKÉ PAŠIJEpremiéra 7. 10. 2020 v Janáčkově divadlerežie: Jiří Heřmandirigent: Robert Kružík

A bell in an unfinished temple, water as a symbol of purification, burning candles… Red eggs are distributed as a symbol of Easter. Suddenly, desperate voices come from a distance. In the transparent, almost dreamy images, a great drama begins to unfold about what is hidden in man.

Priest Grigoris convenes an assembly of elders in the village of Lycovrissi and selects Christ and apostles from among the villagers for the Passion Plays. The deep peace in which the village still lived is disturbed by a sudden concussion. Just as God's finger demands proof of faith, so do refugees come to the village square and seek asylum. They are rejected and forced to seek refuge in the rocky mountains. However, the newly appointed saints go after the fearing refugees. Ordinary daily worries gradually disappear; the strength of their faith and their role in the approaching passions are beginning to change their spiritual consciousness to new maturity. Gradually he returns to the only meaning of his actions: good or evil…

This is how Martinů characterized his last opera, the Greek Passion . The composer, who himself experienced the fate of a refugee, created in it the work of a great humanistic message about the power of faith. The message is increasingly relevant in today's world.

English

Aufführungskredite (Besetzung & Produktionsteam )

Besetzung

Produktionsteam

Ensemble