Admin

Staatstheater am Gärtnerplatz

Dirigent

Dirigent (+1)

Anthony Bramall

Regie

Regie (+6)

Adam Cooper

Choreographie

Bühnenbild

Bühnenbild (+1)

Karl Fehringer

Judith Leikauf

Kostümbild

Kostümbild (+1)

Birte Wallbaum

Dramaturg

Dramaturg (+2)

Michael Alexander Rinz

Tenor (+2)

Matteo Ivan Rasic

Fredrick

Sopran

Julia Sturzlbaum

Mabel

Sänger (+5)

Alexander Franzen

Generalmajor Stanley

Bariton (+3)

Daniel Gutmann

Der Piratenkönig

Tenor (+5)

Peter Neustifter

Samuel

Bass (+5)

Holger Ohlmann

Polizeisergeant

Sopran (+1)

Mina Yu

Edith

Sänger (+3)

Anna Overbeck

Kate

Schauspieler (+3)

Laura Schneiderhan

Isabelle

Orchestra

Orchester des Staatstheaters am Gärtnerplatz

Chorus

Chor des Staatstheaters am Gärtnerplatz

Gärtnerplatztheater

Lichtgestaltung

Michael Heidinger

Tenor (+1)

Alex Tsilogiannis

Sophia Keiler

Sopran (+4)

Sigrid Hauser

Ruth

Mezzosopran (+2)

Katja Ladentin

Due to an incredibly ridiculous misunderstanding, instead of “privately”, the young Frederic has completed his training, “with the pirates”. Now that he is finished with learning he wants to uses his grappling hooks and set course for the fairer sex. He immediately it encounters in the form of the Major General’s daughter, Mabel, whose father, rather unfortunately, intends to put an end to all pirates once and for all. And so Frederic suddenly finds himself bang in the middle between good and evil again – or between evil and good? The musical buccaneering satire, “The Pirates of Penzance”, is without doubt one of the highlights of the oeuvre of the British writing duo, “Gilbert & Sullivan”, which helped shape English-language musical entertainment theatre in the 19th century. An absurdly funny plot full of sharp-tongued British humour meets witty, catchy songs – and from it all comes a virtuoso “piratey” nonsense, which to this today delivers as much fun as it did back way back then!

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