Name: The Rake's Progress
Start: 2022-07-09T00:00:00.000Z
End: 2023-01-21T00:00:00.000Z
Location: Staatstheater

Organization

Regie

Immo Karaman

Dirigat

Daniel Montané

Kostümbild

Fabian Posca

Bühnenbild

Rifail Ajdarpasic

Dramaturgie

Sonja Westerbeck

Sänger

Sopran

Dorin Rahardja

Anne Truelove

Alexandra Samouilidou

Katja Ladentin

Mutter Goose

Mezzosopran

Verena Tönjes

Türkenbaba

Tenor

Daniel Jenz

Tom Rakewell

Vasyl Solodkyy

Alexander Spemann

Sellem

Bass-Bariton

Peter Felix Bauer

Nick Shadow

Bass

Stephan Bootz

Vater Truelove

Seok-Gill Choi

Wärter des Irrenhauses

Choreographie

Lichtgestaltung

Frederik Wollek

Chordirektion

Sebastian Hernandez-Laverny

Elizabeth Bailey

Staatstheater Mainz

Belinda Williams

The Rake's Progress -  (Die Karriere des Wüstlings)

Mainz

Deutschland

Staatstheater

Großes Haus

The Rake's Progress Stravinsky

Public

Private

Die Karriere des Wüstlings

Genehmigt

von Igor StrawinskyMusikalische Leitung: Daniel MontanéInszenierung: Immo KaramanBühne: Rifail AjdarpasicKostüme & Choreografie: Fabian PoscaLicht: Frederik ...

The Rake’s Progress

Tom Rakewell leads a solid life with his fiancée Ann Trulove and her father. One day the shady Nick Shadow stands at the door with the news that Tom has inherited rich. Tom cannot resist the temptation to embark on a journey with Shadow that leads him down fateful astray: he forgets his beloved Ann, hangs around in brothels and sells the entire inheritance. He wins the last card game against the devil, but that costs him his brains and he ends up in a madhouse.
The pact with the devil, the sold soul: Igor Stravinsky dealt with the Faustian motif again and again and in different forms in his work. The Rake's Progressis like a crazy ghost train ride into perdition. Stravinsky found two congenial librettists in WH Auden and Chester S. Kallman who struck the perfect balance between historical tone, travesty and subtle allusions to play with irony, parody and a panopticon of characters who repeatedly look at Tom as if from a distorting mirror . In terms of composition, Stravinsky plays with the history of opera with a passionate virtuosity, as it is an homage above all to Mozart and the classical period. Recitatives, arias and ensembles breathe the spirit of the late 18th century - and are nevertheless placed in the contemporary context of the 20th century.

English

Aufführungskredite (Besetzung & Produktionsteam )

Besetzung

Produktionsteam