Name: Three Lessons of Darkness
Start: 2022-09-10T00:00:00.000Z
End: 2022-09-10T00:00:00.000Z
Location: Ordenskirche St. Georgen

Organization

Bayreuth Baroque Opera Festival

Singer

Soprano

Johanna Rosa Falkinger

Marie Theoleyre

Three Lessons of Darkness

Bayreuth

Germany

Ordenskirche St. Georgen

Three Lessons of Darkness: Concert Various

Public

Concert

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Conductor

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Countertenor

Contralto

Mezzo-soprano

Baritone

Tenor

Bass

Alto

Child vocalist

Continuo

Silent

Spoken

Marie Théoleyre

As composer to the court of Louis XIV, François Couperin was one of the most illustrious artists and personages of his time and the most influential musical genius between Jean-Baptiste Lully and Jean-Philippe Rameau; it is no wonder that his contemporaries also called him “Le Grand”. In 1714 he composed his Leçons de Ténèbres for the Abbaye royale de Longchamp in Paris. The genre of tenebrae lamentations had a rich tradition in France of the seventeenth and eighteenth centuries, above all in Holy Week, when it was integrated into the liturgy between Maundy Thursday and Holy Saturday. Based on the biblical lamentations of Jeremiah, they tell of the siege and destruction of Jerusalem by the Babylonians, in the week before Easter set in relation to the Passion and Death of Jesus Christ.

Couperin’s three Leçons de Ténèbres were written for the nocturnal vigil on Maundy Thursday. It has never been established whether he planned to augment the cycle with a further six compositions for Good Friday and Holy Saturday. He starts each of the three Latin Leçons with a letter from the Hebrew alphabet, and embellishes them in powerfully expressive, poignant melismas. In the recitative and arioso passages he switches between Italian and French style. Especially the duet of the last Leçon with its ornamentation, vocalises and searing dissonances is one of the undisputed peaks of Baroque vocal music – which the sopranos Johanna Rosa Falkinger and Marie Theoleyre, and the organist Loris Barrucand and the cellist François Gallon now awaken to new life.


PROGRAM

English

Three Lessons of Darkness by Various, No (2022/2022), Ordenskirche St. Georgen, Bayreuth, Germany

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