Name: Three Tales
Start: 2002-09-18T00:00:00.000Z
End: 2002-09-21T00:00:00.000Z
Location: Lviv National Academic Opera and Ballet Theatre

Organization

Direction d'orchestre

Bradley Lubman

Mise en scène

Nick Mangano

Costumes

Anita Yavich

Ensemble Modern

Three Tales -  (Trois Contes)

Lviv

Ukraine

Lviv National Academic Opera and Ballet Theatre

Three Tales Reich

Trois Contes

Valide

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Acteur

Autre

Choeur

Chorus Director

Chorégraphie

Coach vocal

Coiffure

Compositeur

Danse

Diffusion

Direction de choeur

Dramaturgie

Décors

En charge de la production

Extra

Illustrator

Livret

Lumières

Maquillage

Orchestra Operations

Orchestre

Photographer

Poet

Prof

Répétiteur

Stage Manager

Traduction

Video

Wig & Makeup Designer

Writer

Writing and performance

Baryton

Chanteur

Ténor

Basse

Contralto

Baryton-basse

Mezzo-soprano

Contre-ténor

Soprano

Alto

Continuo

Rôle muet

Rôle parlant

Voix d'enfant

Three Tales‹ (1998-2002) is the second joint production by Steve Reich (music) and Beryl Korot (video), following ›The Cave‹. The documentary video opera depicts the 20th century as an age of technological dominion, with its own distinct promises and catastrophes. Each act is named after and describes one of three central events of this technological age: Hindenburg, Bikini, and Dolly – the crash of the airship Hindenburg after its first transatlantic flight in Lakehurst 1937, the nuclear tests at Bikini Atoll between 1946 and 1954, and finally the first cloning of the sheep Dolly in Scotland in 1997. Thus, they depict the growth and effects of technological development during the last century by referring to the beginnings of aviation as well as to the more recent ethical discussions about the future of mankind.

Video artist Beryl Korot uses video montage, film- and interview sequences to tell those three ›stories‹. While Hindenburg and Bikini are mainly depicted through archive material (historical footage, photographs, video recordings of news presenters etc), Dolly employs filmed interviews. The variety of images on the electronically multi-divided screen reflects technological progress. It is significant that Steve Reich too makes much greater use of musical technological developments than he does in earlier works. Original recordings are integrated into the composition and altered through transpositions and / or rhythmical modulations. Apart from ›slow motion sound‹, in Dolly he also introduces ›freeze frame sound‹. It is not simple criticism of technology, but rather the ambivalence of technological developments that is voiced in this work.

English

Trois Contes by Reich, mer. 18 sept. 2002, Du (2002/2002), Dirigé par Nick Mangano,, Chef d'orchestre Bradley Lubman, Lviv National Academic Opera and Ballet Theatre, Lviv, Ukraine

Crédits de représentation (Distribution et équipe de production )

Équipage

Programme, À Propos & Synopsis

Photos

Lectures complémentaires

Dates et lieux de représentation

Salles