Name: Three Tales
Start: 2002-09-18T00:00:00.000Z
End: 2002-09-21T00:00:00.000Z
Location: Lviv National Academic Opera and Ballet Theatre

Organization

Conductor

Bradley Lubman

Stage director

Nick Mangano

Costume designer

Anita Yavich

Ensemble Modern

Three Tales

Lviv

Ukraine

Lviv National Academic Opera and Ballet Theatre

Three Tales Reich

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass

Singer

Soprano

Tenor

Baritone

Bass-baritone

Mezzo-soprano

Contralto

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

Three Tales‹ (1998-2002) is the second joint production by Steve Reich (music) and Beryl Korot (video), following ›The Cave‹. The documentary video opera depicts the 20th century as an age of technological dominion, with its own distinct promises and catastrophes. Each act is named after and describes one of three central events of this technological age: Hindenburg, Bikini, and Dolly – the crash of the airship Hindenburg after its first transatlantic flight in Lakehurst 1937, the nuclear tests at Bikini Atoll between 1946 and 1954, and finally the first cloning of the sheep Dolly in Scotland in 1997. Thus, they depict the growth and effects of technological development during the last century by referring to the beginnings of aviation as well as to the more recent ethical discussions about the future of mankind.

Video artist Beryl Korot uses video montage, film- and interview sequences to tell those three ›stories‹. While Hindenburg and Bikini are mainly depicted through archive material (historical footage, photographs, video recordings of news presenters etc), Dolly employs filmed interviews. The variety of images on the electronically multi-divided screen reflects technological progress. It is significant that Steve Reich too makes much greater use of musical technological developments than he does in earlier works. Original recordings are integrated into the composition and altered through transpositions and / or rhythmical modulations. Apart from ›slow motion sound‹, in Dolly he also introduces ›freeze frame sound‹. It is not simple criticism of technology, but rather the ambivalence of technological developments that is voiced in this work.

English

Three Tales by Reich, sze 18 szept 2002, -tól (2002/2002), Rendezte Nick Mangano,, Karmester Bradley Lubman, Lviv National Academic Opera and Ballet Theatre, Lviv, Ukraine

Előadás kreditek (Szereplők & Stáb )

Legénység

Program, névjegy és szinopszis

Életrajz

További irodalom

Az előadások időpontjai és helyszínei

Helyszínek