Name: Tolomeo, re d'Egitto, HWV 25
Start: 2000-03-20T00:00:00.000Z
End: 2000-04-12T00:00:00.000Z
Location: CC de Meent

Organization

Dyrygent

Paul Dombrecht

Reżyseria

Lindy Hume

Śpiewak

Kontratenor

Pascal Bertin

Tolomeo

Sopran

Anne Cambier

Seleuce

Claire Geoffroy-Dechaume

Elisa

Ryland Angel

Alessandro

Robin Adams

Araspe

Muziektheater Transparant

Orchestra

Il Fondamento

Tolomeo, re d'Egitto, HWV 25

Rotterdam

Holandia

Theater Rotterdam

Tilburg

Concertzaal

Arnhem

Musis Sacrum

Eindhoven

Stadsschouwburg

Hertogenbosch

Theater aan de Parade

Gouda

Schouwburg

Zoetermeer

Stadstheater

Groningen

Alsemberg

Belgia

CC de Meent

Tolomeo Händel

Public

Approved

Accordionist

Instrumentalista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Choreografia

Chorus Director

Chór

Dramaturgia

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Kostiumy

Libretto

Makijaż

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

Przygotowanie chóru

Realizacja dźwięku

Reżyseria światła

Scenografia

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wideo

Wig & Makeup Designer

Writer

Writing and performance

Bas - baryton

Tenor

Kontralt

Baryton

Mezzosopran

Alto

Continuo

Głos dziecięcy

Silent

Spoken

Tolomeo, the dethroned king of Egypt, flees to Cyprus where he seeks anonymity and safety away from his mother Cleopatra.

Little does he know that both his faithful wife, Seleuce, and his brother Alessandro are looking for him. The disguised Tolomeo unwittingly becomes involved in the amorous and political ambitions of the royal brother and sister (Araspe and Elisa) who rule the island.

The journey from utter chaos to its happy ending tests this Egyptian's integrity, trust and love - but in the end, the triumphant Tolomeo regains his throne and his Seleuce. Against an exotic, quasi-historical background, a human story develops about desperate people - in love, in disguise, in exile. Handel's painfully honest musical descriptions express heartbreak, jealousy, ambition, loyalty and true love. Five people are delicately painted here with their good and bad sides.

This opera, which premiered in 1728, is Handel's last written for the Royal Academy. The opera was repeated in 1730 and 1733 in different versions, depending on the availability of singers. Arias from other operas were added to replace deleted ones. The story refers to the historical Ptolemy IX Lathyrus, who reigned with his mother, Cleopatra III, in 116 BC. He was deposed in favor of his brother Ptolemy X Alexander and around 106 BC. exiled to Cyprus.

20 years of Music Theater Transparent

A response from Lindy Hume

"I recall Tolomeo with great fondness and excitement – it was my first production in Europe and to be in Antwerp discovering this beautiful music, the gorgeous singers and the company and the city itself, was delicious yet strange. It’s a feeling I can still remember clearly and will always associate with the music of Tolomeo. My clever colleague Dan Potra had designed a set entirely of paper walls which was gradually torn and slashed and written on and burned. It was a beautiful idea – a fragile membrane between chaos and order - and it looked wonderful under lighting. But it was really hard to work with and extremely noisy and drove me crazy after a few weeks, so I’m sure the singers and conductor hated it. But Tolomeo has some of Handel’s most fantastic arias and scenes, particularly the incredible “stille amare” suicide scene and the rock and roll nihilism of “Son qual rocca”.

It’s an amazingly emotional and bizarre piece, a bit like a dream-landscape and just thinking about it now makes me want to hear it again. Tolomeo is also special because it was the beginning of a very long and joyful friendship with Guy and Luc which has lasted many years, bringing us together in many different cities, countries and situations! I have much to thank Tolomeo for."

English

Tolomeo, de onttroonde koning van Egypte, vlucht naar Cyprus waar hij anonimiteit en veiligheid zoekt, weg van zijn moeder Cleopatra.

Hij weet niet dat zowel zijn trouwe echtgenote, Seleuce, als zijn broer Alessandro naar hem op zoek zijn. De vermomde Tolomeo wordt ongewild betrokken bij de amoureuze en politieke ambities van de koninklijke broer en zus (Araspe en Elisa) die over het eiland regeren.

De tocht van de totale chaos naar het happy end, test de integriteit, het vertrouwen en de liefde van deze Egyptenaar - maar uiteindelijk krijgt de triomferende Tolomeo zijn troon en zijn Seleuce terug. Tegen een exotische, quasi-historische achtergrond, ontwikkelt zich een menselijk verhaal over wanhopige mensen - verliefd, vermomd, in ballingschap. De pijnlijk eerlijke muzikale beschrijvingen van Händel verklankt een gebroken hart, jaloezie, ambitie, trouw en ware liefde. Vijf mensen worden hier verfijnd geschilderd met hun goede en slechte kanten.

Deze opera, die in première ging in 1728, is de laatste die Händel  schreef voor de Royal Academy. De opera werd in 1730 en 1733 nog hernomen in verschillende versies, afhankelijk van de beschikbaarheid van zangers.  Aria’s uit andere opera’s werden toegevoegd ter vervanging van geschrapte. Het verhaal verwijst  naar de historische Ptolomeus IX Lathyrus, die samen met zijn moeder, Cleopatra III regeerde in 116 v. Chr. Hij werd afgezet ten gunste van zijn broer Ptolomeus X Alexander en rond 106 v. Chr. naar Cyprus verbannen.

20 jaar Muziektheater Transparant

Een reactie van Lindy Hume

"I recall Tolomeo with great fondness and excitement – it was my first production in Europe and to be in Antwerp discovering this beautiful music, the gorgeous singers and the company and the city itself, was delicious yet strange. It’s a feeling I can still remember clearly and will always associate with the music of Tolomeo. My clever colleague Dan Potra had designed a set entirely of paper walls which was gradually torn and slashed and written on and burned. It was a beautiful idea – a fragile membrane between chaos and order - and it looked wonderful under lighting. But it was really hard to work with and extremely noisy and drove me crazy after a few weeks, so I’m sure the singers and conductor hated it. But Tolomeo has some of Handel’s most fantastic arias and scenes, particularly the incredible “stille amare” suicide scene and the rock and roll nihilism of “Son qual rocca”.

It’s an amazingly emotional and bizarre piece, a bit like a dream-landscape and just thinking about it now makes me want to hear it again. Tolomeo is also special because it was the beginning of a very long and joyful friendship with Guy and Luc which has lasted many years, bringing us together in many different cities, countries and situations! I have much to thank Tolomeo for."

Nederlands

Tolomeo, re d'Egitto, HWV 25 by Händel, czw 23 mar 2000, od (2000/2000), W reżyserii Lindy Hume,, Dyrygent Paul Dombrecht, CC de Meent, Alsemberg, Belgia

Udział w spektaklu (Obsada & realizacja )

Obsada

Ensemble

Program, informacje i streszczenie

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca