Organization

Splitsko Ljeto Festival

Conductor

Ivo Lipanović

Stage director

Goran Golovko

Set designer

Marin Gozze

Costume designer

Mladen Radovniković

Video designer

Darko Škrobonja

Chorus master

Veton Marevci

Lighting designer

Srđan Barbarić

Singer

Soprano

Kristina Kolar

Floria Tosca

Tenor

Domagoj Dorotić

Mario Cavaradossi

Baritone

Luciano Batinić

Baron Scarpia

Bass

Mate Akrap

Cesare Angelotti

Božo Župić

The sacristan

Roko Radovan

Spoletta

Felipe Cudina Begovic

Sciarrone

Child vocalist

Tea Požgaj

A shepherd

Leon Macanović

A jailer

Orchestra

HNK Split Orchestra

Tosca

Split

Croatia

Peristil

Public

Approved

Kanonsko djelo svjetske operne literature, Tosca je svojom glazbenom strukturom razvedeno skladano djelo s arijama, duetima, recitativima, zborovima i drugim elementima međusobno protkanima u savršenu cjelinu. Puccini je rabio vagnerijanske motive kako bi ocrtao karaktere, teme i ideje, a snaga partiture i inventivnost orkestracije odavno su prepoznate kao vrhunac opernog skladanja. Dramatska moć Tosce i njezinih karaktera nastavlja fascinirati i izvođače i publiku te nije čudo da je i danas među često postavljanim naslovima svjetskih opernih pozornica. Iako je njezin libreto više usredotočen na odnose glavnih protagonista (Tosca, Cavaradossi, Scarpia) nego li na politički kontekst, podrobno ocrtan u drami V. Sardoua na kojoj se temelji, opera Tosca pruža inscenacijske mogućnosti za utjelovljenje kazališnih simbola i metafora koje rječito govore i o našem vremenu, obremenjenim prijetnjom jednoumlja i zlouporabe moći, ugrožavajući istinske osjećaje i pravo na pripadanje u ljubavi.

hrvatski

A canonical work of world opera literature, Tosca is a complex piece with arias, duets, recitatives, choruses and other elements interwoven into a perfect whole. Puccini used Wagnerian motifs to outline characters, themes and ideas, and the power of the score and the inventiveness of the orchestration have long been recognized as the pinnacle of operatic composition. The dramatic power of Toscaand its characters continue to fascinate both performers and audiences, and it is no wonder that even today it is among the frequently staged headlines on the world's opera stages. Although her libretto is more focused on the relationships of the main protagonists (Tosca, Cavaradossi, Scarpia) than on the political context, outlined in detail in V. Sardou's play on which it is based, the opera Tosca provides staging opportunities for the embodiment of theatrical symbols and metaphors that speak eloquently and in our time, burdened by the threat of single-mindedness and abuse of power, endangering true feelings and the right to belong in love.

English

Izrādes kredīti (Izpildītāji un radošā komanda )

Lomās

Radoša komanda

Ansamblis