Organization

Admin

Bayerische Staatsoper

Direttore d'orchestra

Direttore d'orchestra (+2)

Antonino Fogliani

Regia

Regia (+4)

Carlus Padrissa

Scenografia

Scenografia (+2)

Roland Olbeter

Costumi

Costumi (+1)

Chu Uroz

Video

Video (+3)

Franc Aleu

Luci

Luci (+2)

Urs Schönebaum

Direzione del coro

Direzione del coro (+1)

Christoph Heil

Tenore (+6)

Kevin Conners

L'imperatore Altoum

Tenore

Yonghoon Lee

Calaf

Soprano

Selene Zanetti

Liù

Baritono (+3)

Thomas Mole

Ping

Tansel Akzeybek

Pang

Andrés Agudelo

Pong

Basso (+5)

Bálint Szabó

Un Mandarino

Il Principe di Persia

Chorus

Kinderchor der Bayerischen Staatsoper

La Fura dels Baus

Drammaturgo

Andrea Schönhofer

Rainer Karlitschek

Orchestra

Bayerisches Staatsorchester

Bayerischer Staatsopernchor

Saioa Hernández

Turandot

Nationaltheater

Extras

Bayerischen Staatsoper Extrachorus

Basso (+2)

Vitalij Kowaljow

Timur

The people are thirsty for blood. Another suitor for the hand of the sovereign is about to be publicly beheaded, because Princess Turandot is determined never to belong to any man. That’s why anyone who wants to marry her must first solve three riddles. Anyone who fails has to pay with his life. An unknown prince, revolted by Turandot’s cruelty, yet attracted by her beauty, takes on this potentially lethal risk – and solves the riddles. But has he awakened the ice-cold, man-murdering sovereign to love and put an end to her barbarity?

Turandot is Giacomo Puccini’s final opera. He died at a point in time when he had come upon a thus far unsolved dramaturgical problem with his composition. The princess was to be the counter draft to the anti-feminism at the fin-de-siècle.  But how to depict the transformation of the man-murderer to a loving woman? Puccini left the final love scene between Turandot and Calaf fragmentary.

italiano

Monaco di Baviera

Germania