Name: Verita Baroque Ensemble
Start: 2024-01-24T00:00:00.000Z
End: 2024-01-24T00:00:00.000Z
Location: L'Auditori

Organization

Singer

Taya König-Tarasevich

Baroque Flute

Guglielmo Dandolo Marchesi

Violin

Eugenia Ottaviano

Erin Kirby

Viola

Bartolomeo Dandolo Marchesi

Cello

Alexander von Heißen

Harpsichord

Instrumentalist

Flute

L'Auditori

Verita Baroque Ensemble

Barcelona

Spain

Sala 4 Alicia de Larrocha

Public

6 Trio Sonatas IJP 3

Quintet No. 2 in F Major

Brandenburg Concerto No.5 in D Major, BWV 1050

Concerto Grosso No. 1 “The Seance”

A Bach (String Quartet)

Approved

Bass

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Conductor

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Tenor

Contralto

Bass-baritone

Baritone

Soprano

Mezzo-soprano

Countertenor

Spoken

Child vocalist

Silent

Alto

Continuo

La flauta y la cuerda, reunidas en un concierto al servicio de diálogos generacionales provenientes de siglos contrastantes: clásicos del siglo XX (Jordi Cervelló) y autores rabiosamente contemporáneos (Marc Migó) establecen complicidades con la tradición más genuina del Barroco alemán (Johann Sebastian Bach) y con la música catalana del siglo XVIII, presidida por los hermanos Joan Baptista y Josep Pla i Agustí, sin olvidar la extraordinaria figura del padre Antoni Soler, olotense que murió siendo monje jerónimo en el monasterio de El Escorial.

Aunque tanto la flauta de pico como el clavecín todavía se ven a menudo como dos instrumentos tradicionales que solo son adecuados para tocar música barroca, con este sorprendente programa Lucie Horsch y Olga Pashchenko se rebelan contra esta visión anticuada.

En coproducción con la Asociación Joan Manén (13.º ciclo de conciertos “Els teus clàssics”)

español

Recorder and harpsichord, together in a concert seeking to foster inter-generational dialogue from contrasting centuries: 20th century classics (Jordi Cervelló) and fiercely modern composers (Marc Migó) are coupled with highly traditional German Baroque (Johann Sebastian Bach) and  eighteenth-century Catalan music, featuring the work of brothers Joan Baptista and Josep Pla i Agustí, plus a piece by the extraordinary Father Antonio Soler, the composer from Olot, who died in the monastery of El Escorial as a monk of the Order of St. Jerome.

English

La flauta i la corda, aplegades en un concert al servei de diàlegs  generacionals provinents de segles contrastants: clàssics del segle XX (Jordi Cervelló) i autors rabiosament contemporanis (Marc Migó) estableixen complicitats amb la tradició més genuïna del Barroc alemany (Johann Sebastian Bach) i amb la música catalana del segle XVIII, presidida pels germans Joan Baptista i Josep Pla i Agustí, sense oblidar l’extraordinària figura del pare Antoni Soler, olotí que va morir com a monjo jerònim al monestir d’El Escorial.

català

Verita Baroque Ensemble by Pla, J. B., Soler, A., Bach, J. S., Migó, Cervelló, No (2024/2024), L'Auditori, Barcelona, Spain

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