Name: Violetta·s
Start: 2023-02-22T00:00:00.000Z
End: 2023-02-23T00:00:00.000Z
Location: Salle Poirel

Organization

Conductor

William Le Sage

Stage director

Laëtitia Guédon

Dramaturge

Vanasay Khamphommala

Assistant Scenography

Éric Da Graça Neves

Chorus master

Célia Pierre

Opéra national de Lorraine

Orchestra

Orchestre de l'Opéra national de Lorraine

Arrangement

Julien Mazet

ranska

Violetta·s

Nancy

France

Salle Poirel

Violetta·s: La traviata Verdi

Public

La traviata

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Composer

Costume designer

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Singer

Tenor

Contralto

Soprano

Bass-baritone

Mezzo-soprano

Bass

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

This season, the Opéra national de Lorraine closes the year with Giuseppe Verdi's operatic monument La Traviata. This romantic drama is the starting point for a large-scale cultural action program, the Violetta·s project, designed to question gender archetypes in opera. At the heart of La Traviata, the character of Violetta combines all the characteristics of the lyrical heroine: sublime, passionate lover and great martyr. However, as a successful courtesan, she also redefines the contours of social conventions. The ambition of Violetta·s project is to create a piece of musical theater based on a reflection on gender identity. Who would Violetta be if she were not the stereotype of the woman, conceived under a male gaze specific to another era? To answer this question, the Opéra national de Lorraine brought together transgender people for whom reflection on identity is fundamental. Under the aegis of artist Vanasay Khamphommala, this troupe of non-professional playwrights drew on Verdi's libretto to question the different dimensions of Violetta's personality, and thus explore what the opera does not say.

The Opera has entrusted the staging of this project to Laëtitia Guédon, a director who is well-versed in the exercise of transmission. This artist, director of the Plateaux Sauvages theater in Paris, works for cultural crossbreeding and her work synthesizes distant artistic aesthetics. She will lead the troupe of non-professional playwrights to the Salle Poirel stage, engaging them in assiduous theatrical work.

The Violetta·s project is a contemporary tribute to an operatic masterpiece, combining contemporary theatrical creation and operatic musical practice. The musical dimension of the project has been entrusted to the conductor William Le Sage. Alongside him, the choir of musicology students from Université de Lorraine and vocal technique students from Conservatoire de Nancy, their teacher Célia Pierre, and the Opera Orchestra will defend Verdi's extraordinary score.

English

Violetta·s by Verdi, Alkaen (2023/2023), Ohjannut Laëtitia Guédon,, Musiikinjohto William Le Sage, Salle Poirel, Nancy, France

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