Name: Le convenienze ed inconvenienze teatrali
Start: 2022-05-07T00:00:00.000Z
End: 2022-06-10T00:00:00.000Z
Location: Operan

Organization

Director(a) orquestal

Alexander Hanson

Sergej Bolkhovets

Director(a) de escena

Claes Eriksson

Traductor(a)

Escenógrafo(a)

Elisabeth Åström

Diseñador(a) de vestuario/Figurinista

Ulrika Wassén

Coreógrafo(a)

Annika Lindqvist

Diseñador(a) de iluminación

Joakim Brink

Cantante

Kerstin Avemo

Gunilla Coriander

Mattias Ermedahl

TOBIAS CORIANDER

Soprano

Mia Karlsson

Luigia Scannagalli

Bajo

Åke Zetterström

Doña Agata Scanagalli

Ann-Kristin Jones

Gabriella Vallinder

Viktor Johansson

MÖLLEMAN ”MÖLLE” WILLIAMSEN

Mats Persson

ALFREDO MADRALLI

Henrik Andersson

ÅKE MÖRK (PRODUCER)

GöteborgsOperan

sueco

Le convenienze ed inconvenienze teatrali -  (Las conveniencias e inconveniencias teatrales)

Gotemburgo

Suecia

Operan

Stora scenen

Viva la mamma Donizetti

Public

Las conveniencias e inconveniencias teatrales

inglés

Válido

Accordionist

Instrumentista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor/actriz

Bailarín(a)

Chefdirigent Musiktheater

Chorus Director

Compositor(a)

Coro

Director(a) coral

Diseñador(a) de sonido

Diseñador(a) de video

Dramaturgia

Entrenador(a) vocal

Extra

Illustrator

Libretista

Maestro repetidor

Maquillaje

Orchestra Operations

Orquesta

Otro

Peinado

Photographer

Poet

Producción Ejecutiva

Profesor(a)

Radiodifusión

Stage Manager

Wig & Makeup Designer

Writer

Writing and performance

Mezzosoprano

Contratenor

Barítono

Bajobarítono

Contralto

Tenor

Alto

Continuo

Papel de hablante

Papel mudo

Vocalista infantil

When the players quit the play and decorum slips away, gossip saves the day.

A big opera house is staging a production of a dramatic opera about love at the height of the Roman Empire. The director and producer have the best intentions, but they hadn’t bargained on the singers being quite so... shall we say, self-oriented. Rehearsals break down when each of the cast members insists on being at the centre – of the plot, the stage and the poster. When the second soprano’s formidable and self-important mother, Agata, storms in demanding that her daughter be given a glamorous role, half of the cast members quit the production. Fiasco looms as the production budget dwindles. But Agata knows that ‘When the players quit the play and decorum slips away, gossip saves the day’. She has compiled all her experiences from the industry into a compromising book expected to be a bombshell, for which her publisher has paid a generous advance. Could this money save the day?

Donizetti’s elegant and entertaining work Viva la mamma takes an ironic look at the difficulties that can arise before an opera premiere, cheekily poking fun at stereotypes. The opera is directed and translated by Claes Eriksson from the comedy troupe Galenskaparna, a director, scriptwriter, stage comedian, actor and composer. This is his first opera production. Expressed in his own words: ‘Because I’ve already been lucky enough to do everything I’ve dreamed of, I now only do things I could never have dreamed of.’

Viva la mamma, one of Donizetti’s early operas, was initially penned as a one-act opera entitled Le convenienze ed inconvenienze teatrali (1831), loosely ‘Theatrical adventures and misadventures’, which Donizetti later reworked into a two-act opera. Relegated to obscurity for a century, it was revived in the 1960s and has since enjoyed success on international stages under the punchier name of Viva la mamma.

English

Las conveniencias e inconveniencias teatrales by Donizetti, dom. 05 jun 2022, De (2022/2022), Dirigido por Claes Eriksson,, Director Alexander Hanson, Sergej Bolkhovets, Operan, Gotemburgo, Suecia

Créditos de presentación (Elenco & Equipo )

Elenco

Equipo

Programa, Acerca de & Sinopsis

Fotografías

Más información

Fechas y lugares de actuación

Lugares