Organization

Dirigat

Francesco Pasqualetti

Regie

Stefano Vizioli

Lichtgestaltung

Vincenzo Raponi

Kostümbild

Anna Maria Heinreich

Videogestaltung

Imaginarium Studio

Assistant Director

Pierluigi Vanelli

Sänger

Mezzosopran

Mariangela Marini

Charlotte

Bühnenbild

Emanuele Sinisi

Tenor

Francesco Demuro

Werther

Bass

Alberto Comes

Der Amtmann

Sonia Ganassi

Bariton

Guido Dazzini

Albert

Nicola Di Filippo

Schmidt

Filippo Rotondo

Johann

Sopran

Maria Rita Combattelli

Sophie

Andrea Gervasoni

Brühlmann

Luisa Bertoli

Kätchen

Chordirektion

Paolo Gattolin

I Teatri di Reggio Emilia

Teatro Comunale di Ferrara

Teatro Comunale di Modena

Teatro di Pisa

OperaLombardia

Others

Voci bianche della Fondazione Teatro Comunale di Modena

Gillen Munguía

Pisa

Italien

Teatro Verdi

Reggio Emilia

Teatro Municipale Valli

Werther Massenet

Public

Private

Genehmigt

The Werther by Massenet is presented in wide co-production between Opera Lombardy and the theaters of Modena, Reggio Emilia, Ferrara and Pisa. Inspired by Goethe's novel The Sorrows of Young Werther , it tells the tragic love affair between the protagonist and Charlotte. Due to an oath made to her mother on her deathbed, the young woman decides to give up Werther in favor of Albert. Despair will lead the protagonist to suicide, not before seeing his beloved one last time. Romantic lyric drama, therefore, that the director Stefano Vizioli reads with a minimalist but precise direction: "With the set designer Emanuele Sinisi we imagined a large white sheet crumpled up by a nervous hand - he explains - a sheet that sometimes contains words that are composed and broken down, stained by an ink that drains, becomes tear or blood, a scenographic attempt to relate to the epistolary style of the source original German ".

Massenet "overturns what by definition is opera writing", explains the conductor Francesco Pasqualetti, who directs the Italian Opera Philharmonic Bruno Bartoletti: "It is as if the orchestra said or sang what with the voice it is no longer allowed to say. What cannot be said verbally.
It is a melody that comes from inside, from below, from a hidden place like an orchestra pit, hidden like in the soul ». And it is precisely the orchestra that reminds us how young Werther's final destination is not heaven, but the damnation of hell.

English

Aufführungskredite (Besetzung & Produktionsteam )

Besetzung

Produktionsteam

Ensemble

Co-Produzent