Admin

Organization

Stage director

Dorothy Danner

Pianist

Luke Housner

Singer

Tenor

Mackenzie Whitney

Werther

Galeano Salas

Matthew White

Mezzo-soprano

Alexandra Shenker

Charlotte

Allegra De Vita

Hannah Ludwig

Soprano

Alexandra Nowakowski

Sophie

Meryl Dominguez

Baritone

Jorge Espino

Albert

Ethan Simpson

Bass

Daniel Noyola

The bailiff

Anthony Schneider

Alasdair Kent

Schmidt

Jonas Hacker

Johann

Anthony Whitson-Martini

Anush Avetisyan

Kathchen

Piotr Buszewski

Bruhlmann

The Academy of Vocal Arts

Franċiż

Philadelphia

United States

us.Philadelphia.Helen Corning Warden Theater

Werther Massenet

Public

Ingliż

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Conductor

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Contralto

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

The unfortunate Werther is disconsolate when his love, Charlotte, marries Albert instead. His sorrow intensifies as it becomes clear his desire will never come to fruition.

Debuted in 1892 Vienna and first performed in Philadelphia in 1909, Werther had its AVA debut in 1966. Our most recent production in 1980 featured Ruth Ann Swenson(’82) as Sophie.

Charlotte is noted by many as perhaps the most affecting and endearing woman in Massenet’s canon. Her yearning, passionate and poetic character pairs with Werther as one of the classic opera couples.

Massenet’s moving score provides the elegant backdrop not only for the interactions of Charlotte and Werther, but also for the family scenes and children’s choir (sung in this production by members of the Philadelphia Boys & Girls Choirs).

English

Werther by Massenet, Ħam 25 Fra 2016, Minn (2016/2016), Immexxi minn Dorothy Danner,

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