Name: Yevgeny Onegin
Start: 1999-06-12T00:00:00.000Z
End: 1999-06-12T00:00:00.000Z
Location: The National Theater Opera Belgrade

Organization

Direction d'orchestre

Bojan Suđić

Mise en scène

Radoslav Zlatan Dorić

Décors

Aleksandar Zlatović

Costumes

Ljiljana Orlić

Chorégraphie

Vladimir Logunov

Soprano

Višnja Pavlović Drakulić

Tatiana

Jasmina Trumbetaš Petrović

Baryton

Vladimir Andrić

Eugène Onéguine

Contralto

Nataša Jović Trivić

Olga

Dragana Yugovic

Ténor

Radivoje Simić

Vladimir Lenski

Dejan Maksimović

Mezzo-soprano

Aleksandra Angelov

Madame Larine

Dubravka Filipović

Filippievna

Olga Savović

Basse

Ivan Tomašev

Prince Grémine

Nenad Jakovljević

Igor Matvejev

Monsieur Triquet

Radmilo Petrović

National Theatre Belgrade

Others

National Theater in Belgrade

Orchestra

Belgrade National Theatre Orchestra

russe

Yevgeny Onegin -  (Eugène Onéguine)

Belgrade

Serbie

The National Theater Opera Belgrade

Yevgeny Onegin Tchaikovsky,P

Public

Valide

Libretto of the composer, created in collaboration with Konstantin Shilovsky, based on the novel of the same name in the verses of Alexander Pushkin, First performance: in Moscow on March 29, 1897. First performance in Belgrade: May 8, 1920. Opera by Eugene Onegin by Peter Tchaikovsky, in Russia and throughout opera world, is considered the most popular Russian opera in general. At the Opera of the National Theater, it was performed as the second in a row, immediately after Puccini's Madame Butterfly , with which the professional work of the ensemble began in 1920. Tchaikovsky was looking for a suitable summary or finished libretto for the next opera. The famous singer Lavrovskaya, in April 1877, draws his attention to Pushkin's novel in verse by Eugenia Onegin. "I need an action ruled by one basic motive, such as love, ambition, jealousy, love for the homeland, etc. - Tchaikovsky writes. I was fascinated when I read the work again. 
(...) In Tchaikovsky's musical interpretation, the characters in this opera gained a new, fourth dimension, they became our close acquaintances, or rather friends. During the show, we not only sympathize with them, but we follow their every breath, every look, every movement. From the first bars of the overture, Tchaikovsky revived the middle and the time of the action. Both the rural idyll and the splendor of the capital are given. And nature is subtly sounded. But the main value is the psychological deepening of complex characters.

English

Crédits de représentation (Distribution et équipe de production )

Distribution

Équipage

Ensemble