Name: Yevgeny Onegin
Start: 1999-06-12T00:00:00.000Z
End: 1999-06-12T00:00:00.000Z
Location: The National Theater Opera Belgrade

Organization

Direzione d'orchestra

Bojan Suđić

Regia

Radoslav Zlatan Dorić

Scenografia

Aleksandar Zlatović

Costumi

Ljiljana Orlić

Coreografia

Vladimir Logunov

Cantante

Soprano

Višnja Pavlović Drakulić

Tat’jana

Jasmina Trumbetaš Petrović

Baritono

Vladimir Andrić

Evgenij Onegin

Contralto

Nataša Jović Trivić

Olga

Dragana Yugovic

Tenore

Radivoje Simić

Lenskij

Dejan Maksimović

Mezzosoprano

Aleksandra Angelov

Larina

Dubravka Filipović

Filipp'evna

Olga Savović

Basso

Ivan Tomašev

Il Principe Gremin

Nenad Jakovljević

Igor Matvejev

Triquet

Radmilo Petrović

National Theatre Belgrade

Others

National Theater in Belgrade

Orchestra

Belgrade National Theatre Orchestra

russo

Yevgeny Onegin -  (Eugenio Onegin)

Belgrado

Serbia

The National Theater Opera Belgrade

Yevgeny Onegin Tchaikovsky,P

Public

Eugenio Onegin

Approvato

Libretto of the composer, created in collaboration with Konstantin Shilovsky, based on the novel of the same name in the verses of Alexander Pushkin, First performance: in Moscow on March 29, 1897. First performance in Belgrade: May 8, 1920. Opera by Eugene Onegin by Peter Tchaikovsky, in Russia and throughout opera world, is considered the most popular Russian opera in general. At the Opera of the National Theater, it was performed as the second in a row, immediately after Puccini's Madame Butterfly , with which the professional work of the ensemble began in 1920. Tchaikovsky was looking for a suitable summary or finished libretto for the next opera. The famous singer Lavrovskaya, in April 1877, draws his attention to Pushkin's novel in verse by Eugenia Onegin. "I need an action ruled by one basic motive, such as love, ambition, jealousy, love for the homeland, etc. - Tchaikovsky writes. I was fascinated when I read the work again. 
(...) In Tchaikovsky's musical interpretation, the characters in this opera gained a new, fourth dimension, they became our close acquaintances, or rather friends. During the show, we not only sympathize with them, but we follow their every breath, every look, every movement. From the first bars of the overture, Tchaikovsky revived the middle and the time of the action. Both the rural idyll and the splendor of the capital are given. And nature is subtly sounded. But the main value is the psychological deepening of complex characters.

English

Eugenio Onegin by Tchaikovsky, P. I., Da (1999/1999), Diretto da Radoslav Zlatan Dorić,, Direttore d'orchestra Bojan Suđić, The National Theater Opera Belgrade, Belgrado, Serbia

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Ensemble

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