Name: Yevgeny Onegin
Start: 2022-09-16T00:00:00.000Z
End: 2023-02-10T00:00:00.000Z
Location: St Petersburg Music Hall

Organization

Stage director

Natalya Chernikova

Tatyana Karpacheva

Répétiteur

Nina Zhukovskaya

Conductor

Dusan Vilic

Maxim Valkov

Alexander Goikhman

Soprano

Tatiana Kalchenko

Tatiana

Tenor

Viktor Aleshkov

Triquet

Yuri Alexandrov

Set designer

Vyacheslav Okunev

Chorus master

Igor Pototskiy

Mezzo-soprano

Yulia Ptitsina

Larina

Contralto

Victoria Martemyanova

Olga

Natalya Vorobyova

Filippyevna

Yaramir Nizamutdinov

Lensky

Bass

Gevorg Grigoryan

Prince Gremin

Alexander Koryakov

Zaretsky

Baritone

Alexey Pashiev

Eugene Onegin

Alina Nikolaeva

Lighting designer

Dzhalil Martazin

Andrey Zemskov

Anton Morozov

Efim Rastorguyev

Vladimir Tselebrovsky

Dmitry Udi

Valentina Fedeneva

Sofia Nekrasova

Larisa Pominova

Natalya Kochubey

Denis Akhmetshin

Leonty Salienski

Elena Tikhonova

Kristina Metelitsa

Sergey Aleshchenko

Joseph Piliev

St Petersburg Chamber Opera

ruština

Yevgeny Onegin -  (Eugene Onegin)

Saint Petersburg

Russia

St Petersburg Music Hall

Yevgeny Onegin Tchaikovsky,P

Public

Private

Approved

The experience of interpreting the famous opera, which is part of the golden fund of Russian classics, turned into an unconventional director's decision in the performance. “We are showing not an opera by Tchaikovsky, but our attitude towards Tchaikovsky and Pushkin,” the stage director Yuri Alexandrov formulated the concept of the performance. In Onegin, the shift in semantic and temporal accents makes it possible to look at the opera characters a little aloofly, in the context of the style of Chekhov's rather than Pushkin's theater.

English

Опыт интерпретации известной оперы, входящей в золотой фонд русской классики, обернулся в спектакле нетрадиционным режиссерским решением. «Мы показываем не оперу Чайковского, а наше отношение к Чайковскому и Пушкину», — так сформулировал концепцию спектакля постановщик Юрий Александров. В «Онегине» смещение смысловых и временных акцентов позволяет взглянуть на оперных персонажей чуть отстраненно, в контексте стилистики скорее чеховского, нежели пушкинского театра.

русский

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