Name: Yevgeny Onegin
Start: 2023-02-11T00:00:00.000Z
End: 2023-06-23T00:00:00.000Z
Location: Novaya Opera Theatre

Organization

Singer

Mezzo-soprano

Natalia Kreslina

Larina

Contralto

Polina Shamaeva

Olga

Tenor

Alexei Neklyudov

Lensky

Bass

Vladimir Kudashev

Prince Gremin

Mikhail Pervushin

Zaretsky

Anton Bochkaryov

Triquet

Stage director

Sergey Artsibashev

Conductor

Andrey Lebedev

Lighting designer

Sergey Makryashin

Costume designer

Eleonora Maklakova

Set designer

Sergei Barkhin

Chorus master

Natalya Popovich

Maria Chekrkchieva

Baritone

Artyom Garnov

Eugene Onegin

Evgeny Samoilov

Tatyana Tabachuk

Anastasia Lepeshinskaya

Alexander Martynov

Yaroslav Abaimov

Konstantin Fedotov

Sergey Tarasov

Dmitry Pianov

Anastasia Bibicheva

Veronika Ershova

Georgy Vasiliev

Alexey Antonov

Andrej Breus

Andrey Fetisov

Vasily Gurylev

Galina Badikovskaya

Soprano

Elizaveta Soina

Tatiana

Valeria Pfister

Ilya Kuzmin

Vitaly Efanov

Stanislav Mostovoy

Alexey Tikhomirov

Evgeny Stavinsky

Sergey Artamonov

Dmitry Orlov

Veniamin Egorov

Maxim Ostroukhov

Alexander Skvarko

Alexey Tatarintsev

Georgy Faradzhev

Alexander Tyupa

Aleksandra Saulskaya-Shultyaeva

Elena Svechnikova

Agunda Kulaeva

Irina Romishevskaya

Victoria Yarovaya

Anna Sinitsyna

Yulia Mennibaeva

Bogdan Volkov

Alexander Bogdanov

Maria Motolygina

Ekaterina Kichigina

Ksenia Volkova

Ekaterina Petrova

Ekaterina Mirzoyants

Filippyevna

Margarita Nekrasova

Kristina Ponomareva

Diana Tolasova

Novaya Opera

Orchestra

The Orchestra of the Novaya Opera Theatre

Yevgeny Onegin -  (Eugene Onegin)

Moscow

Russia

Novaya Opera Theatre

Yevgeny Onegin Tchaikovsky,Pyotr Ilyich

Public

Private

Approved

Evgeny Kolobov and Sergei Artsibashev met back in Sverdlovsk, where they both studied (Kolobov at the conservatory, Artsibashev at the theater school). And it is not surprising that when both ended up in Moscow - Artsibashev graduated from the directing department of GITIS and worked for 10 years as a director of the Na Taganka Theater, and Kolobov, after working at the Mariinsky Theater in St. Petersburg, headed the Musical Theater named after. Stanislavsky and Nemirovich-Danchenko - got back together: they attended each other's performances, talked about art. Both of them were interested in the author's theater, they were united by the spirit of experimentation, a lively creative search. And it is not surprising that in the same year (1991) each of them creates his own theater: Artsibashev - the Theater on Pokrovka, and Kolobov - the New Opera. Director Artsibashev had an original look at the classics, made it close and understandable to the viewer, paid great attention to the psychological elaboration of mise-en-scenes, in which each character, even a minor one, had a bright personality. And always his performances were very musical. Kolobov was in love with the chamber and cozy Theater on Pokrovka, repeatedly watched the director's performances ("Three Sisters", "The Captive Spirit", "A Month in the Village", "The Government Inspector", "Talents and Admirers", "Scenes from Married Life", " Marriage”, etc.) and dreamed of making a joint production – already at the Novaya Opera. Their joint work on the opera by P.I. Tchaikovsky's "Eugene Onegin" was embodied in the musical version of Kolobov and in the stage version of the play in collaboration with brilliant artists - set designer Sergei Barkhin and costume designer Eleonora Maklakova. It was a unique unity of all creators, embodied in a masterpiece of theatrical art. Performed in 1996, the production won the Golden Mask as the best performance of the season, is still the hallmark of the Novaya Opera Theater, and is considered the closest version of the opera to Pushkin's original source. The performance was shown in the USA (14 performances on Broadway), Israel, Finland, Cyprus, traveled to many cities in Russia and is still very popular with the public. Material taken from the page of the Evgeny Kolobov Foundation

Yevgeny Onegin

Staged in 1996, the opera Eugene Onegin by P.I. Tchaikovsky in the musical edition of E.V. Kolobov is a classic manifestation and the highest achievement of the author's theater, which was the Novaya Opera during the life of the founding father. Evgeny Vladimirovich Kolobov attracted a wonderful creative team to work. It was the stage director who became the main invisible director of the performance, defining its main accents and general dramatic direction.

E.V. Kolobov:  “The opera Eugene Onegin is essentially a tragedy. In any case, this is how I hear this opera, how I feel it. Therefore, for me, this
performance is like a duel with a capital letter: Onegin and Lensky, Lensky and Olga, Onegin and Tatiana, Tatiana and Gremin ... It is no coincidence that in Tchaikovsky himself, in the first version of the opera, the last words of the protagonist sounded like this: "Oh death, oh death, I'm going to look for you!", with them I end my performance. We add - behind these words of Onegin in the version of E.V. Kolobov follows the music of the fifth, “dueling” picture (fragments of the introduction and the theme of Lensky’s dying aria).

English

Поставленная в 1996 году, опера «Евгений Онегин» П.И. Чайковского в музыкальной редакции Е.В. Колобова – классическое проявление и высшее достижение авторского театра, каким была Новая Опера при жизни отца-основателя. Евгений Владимирович Колобов привлек к работе замечательную творческую команду. Именно дирижер-постановщик стал главным невидимым режиссером спектакля, определив его основные акценты и общую драматургическую направленность.

Е.В. Колобов: «Опера "Евгений Онегин" по сути своей – трагедия. Во всяком случае, я так эту оперу слышу, так ее чувствую. Поэтому для меня этот
спектакль – как бы Дуэль с большой буквы: Онегина и Ленского, Ленского и Ольги, Онегина и Татьяны, Татьяны и Гремина… Не случайно у самого Чайковского в первом варианте оперы последние слова главного героя звучали так: "О смерть, о смерть, иду искать тебя!", ими я и заканчиваю свой спектакль». Добавим, – за этими словами Онегина в версии Е.В. Колобова следует музыка пятой, «дуэльной» картины (фрагменты вступления и тема предсмертной арии Ленского).

русский

Esityksen ansiot (Näyttelijät & Tuotantotiimi )

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