Name: Yevgeny Onegin
Start: 2016-12-28T00:00:00.000Z
End: 2017-03-25T00:00:00.000Z
Location: National Theatre

Admin

Organization

Cantante

Soprano

Jasmina Trumbetaš Petrović

Tat’jana

Ana Petrović

Nevena Bridgen

Baritono

Nikola Mijailovic

Evgenij Onegin

Vladimir Andrić

Contralto

Nataša Jović Trivić

Olga

Aleksandra Angelov

Višnja Radosav

Tenore

Dejan Maksimović

Lenskij

Nenad Čiča

Mezzosoprano

Nataša Rašić

Larina

Dubravka Filipović

Filipp'evna

Basso

Dragoljub Bajić

Il Principe Gremin

Nenad Jakovljević

Igor Matvejev

Triquet

Stevan Karanac

Predrag Gligorić

Un Capitano

Gavrilo Rabrenović

Mihailo Šljivić

Zaretzki

Stahinja Đokić

Direzione d'orchestra

Dejan Savić

Aleksandar Kojić

Regia

Radoslav Zlatan Dorić

Scenografia

Aleksandar Zlatović

Costumi

Ljiljana Orlić

Coreografia

Vladimir Logunov

National Theatre Belgrade

Orchestra

Belgrade National Theatre Orchestra

Others

National Theater in Belgrade

Yevgeny Onegin -  (Eugenio Onegin)

Belgrado

Serbia

National Theatre

Yevgeny Onegin

Public

Eugenio Onegin

Approvato

Libretto was written by the composer in cooperation with Konstantin Shilovsky after Aleksandar Pushkin’s novel in verse by the same name. The first performance took place in Moscow on 29th March 1897. The first performance in Belgrade took place on 8th May 1920. Opera Eugene Onegin by Pyotr Ilyich Tchaikovsky is considered the most popular Russian opera in Russia and worldwide. It was the second opera produced by the National Theatre’s Opera, right after Pucini’s Madame Butterfly, with which the Opera started its professional activities in 1920. Tchaikovsky was looking for a suitable story or a finished libretto for his next opera. Lavrovskaya, a well-known singer, talked to him about Pushkin’s novel in verse Eugene Onegin in April 1877. “I need a plot with one basic motif, such as love, honour, jealousy, love for the country,” wrote Tchaikovsky, “I was enchanted when I read the novel.” (…) In Tchaikovsky’s musical interpretation, the characters received a new, fourth dimension, and became our close acquaintances, or should we say friends. We empathize with them and follow their every breath, glance and move. Tchaikovsky gave life to the circumstances and the time of the plot from the very opening of the overture. He portrays both the tranquillity of a village and the glamour of the capital city. The nature also has its gentle sound representation. However, the opera’s main strength is the psychological complexity of characters.

English

Crediti di rappresentazione (Cast e team di produzione )

Cast

Team creativo

Ensemble