Name: Yo-Yo Ma
Start: 2025-01-29T00:00:00.000Z
End: 2025-01-29T00:00:00.000Z
Location: Victoria Hall

Admin

Orchestre de la Suisse Romande

Conductor

Renaud Capuçon

Orchestra

Orchestre de Chambre de Lausanne

Instrumentalist

Yo-Yo Ma

Cello

Geneva

Switzerland

Victoria Hall

Yo-Yo Ma: Cello Concerto in A Minor, op. 129 Schumann (+1 More)

Public

Private

Concert

Oratorio / Orchestral

Cello concerto

Symphony No. 3

Teja Boyidi

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

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Flutist

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Musette de cour Player

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Tenor Violinist

Timpani

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Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

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Chorus master

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Mezzo-soprano

Tenor

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Soprano

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Alto

Child vocalist

Continuo

Silent

Spoken

The rise of historically informed performance practices has allowed small ensembles, like the Lausanne Chamber Orchestra that we welcome every season, to explore a once-forbidden repertoire. Nowadays, nobody is surprised to hear Beethoven’s 'Eroica' Symphony played by around forty musicians, an ensemble size close to that of its original production in Vienna in 1805. With the era of gigantism at an end, the focus is more on the clarity of Beethoven’s delicate textures over its depth. Yo-Yo Ma’s take of Robert Schumann’s Cello Concerto, with the orchestra reduced to chamber size, is a testament to this shift. Encouraged by Pablo Casals when he was still a precocious child, the great French-born Chinese-American cellist is one of the most well-known and beloved musicians the world over.

English

L’avènement de la pratique historique a permis aux petites formations, comme l’Orchestre de Chambre de Lausanne que nous recevons chaque saison,  d’envisager un répertoire qui leur était jusque-là interdit. Plus personne ne s’étonne aujourd’hui d’entendre la Symphonie 'Héroïque' de Beethoven jouée par une quarantaine de musiciens, un effectif proche de celui de sa création à Vienne en 1805. L’heure n’est plus au gigantisme et les fines textures de Beethoven gagnent en lisibilité ce qu’elles perdent en épaisseur. La conception très chambriste qu’a Yo-Yo Ma du Concerto pour violoncelle de Robert Schumann prendra aussi toute sa valeur avec un tel effectif. Encouragé par Pablo Casals alors qu’il n’était encore qu’un enfant précoce, le grand violoncelliste sino-franco-américain est un des musiciens les plus connus et les plus aimés de la planète.

français

Yo-Yo Ma by Schumann, Beethoven, Erb 29 Jan 2025, Minn (2025/2025), Surmast Direttur Renaud Capuçon, Victoria Hall, Geneva, Switzerland

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