Name: Za poduhovljene
Start: 2024-04-26T00:00:00.000Z
End: 2024-04-26T00:00:00.000Z
Location: Slovenska filharmonija

Organization

Admin

Slovenska filharmonija

Conductor

Holger Speck

Orchestra

Others

Slovenian Philharmonic Choir

Za poduhovljene

Ljubljana

Slovenia

Dvorana Marjana Kozina

Za poduhovljene: Locus iste Bruckner (+3 More)

Public

Locus iste

Aequale, WAB 114

Ave Maria

Mass No. 2 in E minor, WAB 27

Approved

Since its inception, the music of Anton Bruckner has often received unfavorable remarks from music critics. In the late 19th century, two musical currents ruled in the central European area, the first with ardent defenders, the second with opponents of his work. Today, Anton Bruckner is one of the central pillars of symphonic music, and with his vocal and vocal-instrumental works, which are mostly of a sacred nature, he is considered one of the most important creators. The concert commemorates the 200th anniversary of his birth.

After his youthful compositions, he only began to seriously study harmony and counterpoint in the late thirties, and later also orchestration, while at the same time maintaining contact with vocal music in the singing group Liedertafel Frohsinn. During this time, he was closely connected with musical life in Linz, where the construction of the neo-Gothic cathedral began. At the laying of the foundation stone in 1862, he wrote the Festive Cantata , and he started Masses in E minor a few years later.

It was performed in 1869, when the votive chapel was added to the then still unfinished part of the cathedral, and the performance in the square in front of the cathedral featured a special choice of instruments, without strings.

English

Glasba Antona Brucknerja je bila vse od nastanka pri glasbenih kritikih pogosto deležna neljubih opazk. V poznem 19. stoletju sta v osrednjem evropskem prostoru vladali dve glasbeni struji, prva z gorečimi zagovorniki, druga z nasprotniki njegovega dela. Danes je Anton Bruckner eden osrednjih stebrov simfonične glasbe in s svojimi vokalnimi in vokalno-instrumentalnimi deli, ki so povečini sakralnega značaja, velja za enega najpomembnejših ustvarjalcev. S koncertom se spominjamo 200. obletnice njegovega rojstva.

Po mladostnih kompozicijah je šele v poznih tridesetih začel resno študirati harmonijo in kontrapunkt, pozneje tudi orkestracijo, obenem je v pevskem društvu Liedertafel Frohsinn ohranjal stik z vokalno glasbo. V tem času je bil tesno povezan z glasbenim življenjem v Linzu, kjer se je začela gradnja neogotske katedrale. Ob postavitvi temeljnega kamna leta 1862 je napisal Praznično kantato, Maše v e-molu se je lotil nekaj let zatem.

Izvedena je bila leta 1869, ob dograditvi votivne kapele, dela tedaj še nedokončane katedrale, izvedba na trgu pred katedralo pa je botrovala posebni izbiri instrumentov, brez godal.

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