Vos critiques
5...Valido anche l’apporto di Sara Fanin (Barbarina)...
The young Italian soprano, Sara Fanin, looked every bit the part in the trouser role of Il Cavaliere Armidoro. The role requires a substantial amount of technical skill, especially the bravura aria, “Delle sposa il bel sembiante,” with many coloratura passages, leaps, and trills with a high-lying tessitura as well as an ability to characterize the role without ever compromising the essential bel canto...
Critiques de productions passés
1The Marchese’s sister, La Marchesa Lucinda was parted by the Brazilian soprano, Luisa Kurtz. Of all the actors she probably acted out the part of a 1920s silent screen star most convincingly, exaggerating her gestures perfectly. She backed this up with a solid vocal performance, displaying secure technique with an attractive coloratura.
