Léirithe le Teacht Inniu Ar Aghaidh
Léirithe san am a chuaigh thart 2003 — Inné
La vestale (The Vestal Virgin), Spontini
Thessaloniki Concert HallStage director
Féach ar an bhfoireann agus an fhoireannLa vestale (The Vestal Virgin), Spontini
Teatro GrattacieloStage director
Féach ar an bhfoireann agus an fhoireannI am a dreamer who no longer dreams, Sosa, J.
Syracuse OperaStage director
Féach ar an bhfoireann agus an fhoireannI am a dreamer who no longer dreams, Sosa, J.
Tri-cities OperaStage director
Féach ar an bhfoireann agus an fhoireannDon Giovanni, Mozart
SOCIEDAD ARTISTICA DEL TECNOLOGICOStage director
Féach ar an bhfoireann agus an fhoireannLa vestale (The Vestal Virgin), Spontini
Thessaloniki Concert HallStage director
Féach ar an bhfoireann agus an fhoireannLa vestale (The Vestal Virgin), Spontini
Teatro GrattacieloStage director
Féach ar an bhfoireann agus an fhoireannI am a dreamer who no longer dreams, Sosa, J.
Syracuse OperaStage director
Féach ar an bhfoireann agus an fhoireannI am a dreamer who no longer dreams, Sosa, J.
Tri-cities OperaStage director
Féach ar an bhfoireann agus an fhoireannL'elisir d'amore (The Elixir of Love), Donizetti
Cultural Conference Center of HeraklionStage director
Féach ar an bhfoireann agus an fhoireannBeyond the Horizon, Flagello, N.
Teatro GrattacieloCostume designer
Féach ar an bhfoireann agus an fhoireannL'elisir d'amore, Donizetti
Camerata Bardi Vocal AcademyStage director + 1 ról
Féach ar an bhfoireann agus an fhoireannRecognized internationally as a “winning baritone with comedic skills”, Greek-American baritone Stefanos Koroneos continues to build a reputation as a world-class performer with his extensive engagements around the globe. Stefanos’ recent performance highlights have included the baritone solo in Captain Michael with the Berlin Philharmonic, the title role in Don Pasquale and the role of Dulcamara in L’elisir d’Amore with Miami Lyric Opera, and the roles of the General in Sakellaridis’ operetta The Godson with the Greek National Opera, Sagristano in Toscawith LoftOpera, Dandini in La Cenerentola with New York City Opera Renaissance, and the King in Gotham Chamber Opera’s production of El Gato con Botas, where his performance received critical acclaim from both The New York Times and