Thomas Cannon
Creidmheasanna feidhmíochta
Léirithe san am a chuaigh thart 2012 — Inné
An African Americans Requiem, Various
Fort Worth OperaBaritone
Féach ar an bhfoireann agus an fhoireannThe Falling and The Rising, Redler, Z.
Arizona OperaColonel + 1 ról
Féach ar an bhfoireann agus an fhoireannSummer Enchanted Evening Of Opera, Various
Connecticut OperaBaritone
Féach ar an bhfoireann agus an fhoireannLa Traviata (La traviata), Verdi
Opera OrlandoGiorgio Germont (George Germont)
Féach ar an bhfoireann agus an fhoireannMadama Butterfly (Madame Butterfly), Puccini
Indianapolis OperaSharpless
Féach ar an bhfoireann agus an fhoireannLéirithe san am atá caite
An African Americans Requiem, Various
Fort Worth OperaBaritone
Féach ar an bhfoireann agus an fhoireann
The Falling and The Rising, Redler, Z.
Arizona OperaColonel + 1 ról
Féach ar an bhfoireann agus an fhoireann
Summer Enchanted Evening Of Opera, Various
Connecticut OperaBaritone
Féach ar an bhfoireann agus an fhoireann
La Traviata (La traviata), Verdi
Opera OrlandoGiorgio Germont (George Germont)
Féach ar an bhfoireann agus an fhoireannBeathaisnéis
The young dramatic baritone called &ldquostrong and striking” by Opera Today, is currently an artist fellow at The Music Academy of the West. Thomas Cannon has continually gained recognition in technically demanding Bel Canto and Verdian roles, since completing his studies at The Juilliard School. He sang at Carnegie Hall in 2013 as a soloist in Verdi’s Requiem, to benefit victims of Japan’s Earthquake; while preparing Conte di Luna (Il Trovatore) at Arizona Opera. Thomas was in residence with Arizona Opera for the 2012-‘13 season. Opera Today praised his “talent for characterization” in the role of Antonio (Le Nozze di Figaro). He was also seen as Gregorio (Romeo et Juliette) and Sciarrone (Tosca). In addition to Conte di Luna; Thomas left AZO fully prepared with Il Conte (Le Nozze di
