The intensity of this production is also driven by the equally constant intensity of the Musical Director Ben Glassberg at the head of his Orchestre de l'Opéra de Rouen Normandie. As soon as he enters the stage, invigorating, as if he had come straight from the City of a hundred steeples on his same dynamic momentum, the conductor shows an energy that he will invest throughout the evening in his direction
The opening is immediately lively, the themes of the work as clear as the poetic passages, before overflowing with lyricism. Conductor Ben Glassberg's attention to the stage is evident, providing effective support to both the singers and the dramatic developments of the subject.
Le concert s’ouvre, solennel, sur le quatuor "Ah! sia maledetto" de Don Carlo, où brille notamment Nadège Meden, par sa voix ample et prometteuse.
C’est aussi l’occasion de découvrir Nadège Meden, grand lyrique plein de potentiel – et d’aplomb, dans une Abigaille aux aigus percutants.
Il bravo Derek Welton è il sentenzioso Pangloss
