Léirithe le Teacht Inniu Ar Aghaidh
Léirithe san am a chuaigh thart 2006 — Inné
Die lustige Witwe (The Merry Widow), Lehár
National Centre for the Performing ArtsGraf Danilo Danilowitsch (Count Danilo Danilowitsch)
Féach ar an bhfoireann agus an fhoireannWiener Staatsoper, Mozart
Wiener Mozart OrchesterSoloist
Féach ar an gclár, an fhoireann agus an fhoireannDon Carlo (Italian version), Verdi
Oper KlosterneuburgRodrigo
Féach ar an bhfoireann agus an fhoireannWiener Staatsoper, Mozart
Wiener Mozart OrchesterSoloist
Féach ar an gclár, an fhoireann agus an fhoireannDon Carlo (Italian version), Verdi
Oper KlosterneuburgRodrigo
Féach ar an bhfoireann agus an fhoireannSalute to Vienna New Year's Concert, Various
Calgary Philharmonic OrchestraBaritone
Féach ar an bhfoireann agus an fhoireannLohengrin, Wagner, Richard
Sofia Opera and BalletFriedrich von Telramund (Fredrick of Telramund)
Féach ar an bhfoireann agus an fhoireannDer Freischütz, op. 77 (The Marksman), Von Weber
Neue Eutiner FestspieleKaspar (Caspar)
Féach ar an bhfoireann agus an fhoireannLeb' wohl, Du kühnes herrliches Kind“ - Wotans Abschied
Thomas Weinhappel has always set high standards for himself. Since his time as alto soloist with the Vienna Boys‘ Choir, and later at the Vienna University of Music and Performing Arts, where he graduated with honors as a Master of Arts, his natural optimism has sparked his determination to shape the future and to accept daunting challenges. Encouraged by the Wagner specialist Stefan Mickisch, he took advantage of the forced Corona break to further cultivate his talents and to develop into a heroic baritone. His career arc is proof that he enthusiastically strives for excellence and continually evolves and matures in his art. In the last few years he has appeared in numerous roles, still as a lyrical baritone, as Figaro (Der Barbier von Sevilla, Rossini, Kirchstetten, 2018), Wolfram (Tan