Prestazzjonijiet li ġejjin Illum 'il quddiem
Prestazzjonijiet Passat 2014 — Ilbieraħ
-
Die Entführung aus dem Serail (The Abduction from the Seraglio), Mozart
Oper KölnCostume designer
Ara l-cast u l-ekwipaġġAriadne auf Naxos (Ariadne on Naxos), Strauss
Landestheater DetmoldCostume designer
Ara l-cast u l-ekwipaġġ-
Der fliegende Holländer (The Flying Dutchman), Wagner, Richard
Landesbühnen SachsenCostume designer
Ara l-cast u l-ekwipaġġDer fliegende Holländer, Wagner, Richard
Set designer
Ara l-cast u l-ekwipaġġ-
-
Die Entführung aus dem Serail (The Abduction from the Seraglio), Mozart
Oper KölnCostume designer
Ara l-cast u l-ekwipaġġAriadne auf Naxos (Ariadne on Naxos), Strauss
Landestheater DetmoldCostume designer
Ara l-cast u l-ekwipaġġ-
Der fliegende Holländer (The Flying Dutchman), Wagner, Richard
Landesbühnen SachsenCostume designer
Ara l-cast u l-ekwipaġġ-
Die Zirkusprinzessin (The Circus Princess), Kálmán
Landesbühnen SachsenCostume designer
Ara l-cast u l-ekwipaġġLe Villi (The Will-o-the-Wisps), Puccini
Landesbühnen SachsenCostume designer
Ara l-cast u l-ekwipaġġSieg der Schönheit (Victory of Beauty), Telemann
Theater MagdeburgCostume designer
Ara l-cast u l-ekwipaġġLe Villi (The Will-o-the-Wisps), Puccini
Landesbühnen SachsenCostume designer
Ara l-cast u l-ekwipaġġSib19:30
Radebeul, GermanyDer fliegende Holländer (The Flying Dutchman), Wagner, Richard
Landesbühnen SachsenCostume designer
Ara l-cast u l-ekwipaġġValerie Hirschmann has been a costume designer for stage and musical theater since 2014. Her work is characterized by expressive, creative imagery and a distinctive signature style. The characters she creates are finely crafted, making their world of conflict sensually tangible in a sophisticated manner. She loves to create intoxicating color palettes, use unusual materials, and bring expressive furs, foldable origami skirts, and walking circus tents to the stage. Valerie gained significant artistic experience during her assistantship at the Staatstheater Mainz (2012 to 2014) under the direction of Matthias Fontheim. It was there that she realized her first costume designs for productions such as "Nora" (Henrik Ibsen), "Lady in the Dark" (Kurt Weill), "Faust" (Goethe), and "Cat on a Hot