Profilbewertungen
5"Lighting designer AJ Guban’s crimson, blue and stained-glass effects beautifully softened the edges of the set, while S. Katy Tucker’s projections deepened the psychological stakes."
"In this production, the use of panels in angular geometric designs, prettily lit, added an interesting dimension to this staging. Typically, directors use dark elements to portray this opera with dark storylines. Set designer Erhard Rom, Projection Designer S. Katy Tucker, and Lighting Designer A. J. Guban used beautiful colors and designs to add to our pleasure in all that sorrow."
Frühere Produktionsrezensionen
2"Lighting designer AJ Guban’s crimson, blue and stained-glass effects beautifully softened the edges of the set, while S. Katy Tucker’s projections deepened the psychological stakes."
"In this production, the use of panels in angular geometric designs, prettily lit, added an interesting dimension to this staging. Typically, directors use dark elements to portray this opera with dark storylines. Set designer Erhard Rom, Projection Designer S. Katy Tucker, and Lighting Designer A. J. Guban used beautiful colors and designs to add to our pleasure in all that sorrow."
