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Woman At Point Zero, El-Turk
D: Laila Soliman
C: Kanako Abe
Woman at Point Zero at the Royal Opera House

Ensemble Zar is conducted with almost fierce directness and economy by Kanako Abe, who creates a hypnotic fluidity of texture and tone.

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03 luglio 2023operatoday.comClaire Seymour
Emotional and beguiling: committed performances illuminated Bushra El-Turk's opera on female suffering

...the complexities of the score were navigated with virtuoso aplomb by conductor Kanako Abe...

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03 luglio 2023www.gramophone.co.ukOwen Mortimer
Iolanta, op. 69, Tchaikovsky, P. I.
C: Mstislav Rostropovich
Tchaikovsky's "Iolanta"

“Young Hugh Mackey displayed tone as Robert, a promising well-aligned baritone, unwillingly betrothed to Iolanta."

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"Iolanta" Snape Maltings

"the memorable British debut of the Russian emigre tenor Misha Raitzin. ...Raitzin's voice has all its urbane strength and resilience with a greater malleability, and even the sharper edge of character. Hugh Mackey risked eclipse in his first encounter with him, but lifted his light, energetic baritone untiringly to meet Tchaikovsky's demands" The Times

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16 agosto 1983www.thetimes.co.ukHilary Finch
Café Kafka, Coll, F.
D: Annabel Arden
C: Richard Baker
Prima mondiale
Craftsman in The Commission by Elspeth Brooke and Gracchus in Café Kafka by Francisco Coll

The Icelandic bass-baritone Andri Björn Róbertsson was outstanding as the Craftsman and Gracchus.

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Hugo Shirley - The Spectator

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