Crèdits de representació
Properes actuacions Avui Endavant
Actuacions passades 2010 — Ahir
Requiem, Pelas Vítimas do Fascismo em Portugal, op. 210 (Requiem for the Victims of Fascism in Portugal), Lopes-Graça
Fundação Centro Cultural de BelémMezzo-soprano
Veure elenc i equipDie Fledermaus (The Bat), Strauss II
Teatro Nacional de São CarlosPrinz Orlofsky (Prince Orlofsky)
Veure elenc i equip-
Gala de Ópera, BizetVerdiTchaikovsky, P. I.MendelssohnMascagniMassenet
Festival de Ópera de ÓbidosCarmen + 1 rols
Veure programa, repartiment i equipActuacions anteriors destacades
Requiem, Pelas Vítimas do Fascismo em Portugal, op. 210 (Requiem for the Victims of Fascism in Portugal), Lopes-Graça
Fundação Centro Cultural de BelémMezzo-soprano
Veure elenc i equip
-
Gala de Ópera, BizetVerdiTchaikovsky, P. I.MendelssohnMascagniMassenet
Festival de Ópera de ÓbidosCarmen + 1 rols
Veure programa, repartiment i equip
Properes actuacions
12Falstaff, Verdi
Teatro Nacional de São CarlosMrs. Meg Page
Veure elenc i equipDs.20:00
Lisbon, PortugalFalstaff, Verdi
Teatro Regio di ParmaMrs. Meg Page
Veure elenc i equipFalstaff, Verdi
Teatro Nacional de São CarlosMrs. Meg Page
Veure elenc i equipDl.20:00
Lisbon, PortugalFalstaff, Verdi
Teatro Regio di ParmaMrs. Meg Page
Veure elenc i equipDc.20:00
Lisbon, PortugalFalstaff, Verdi
Teatro Nacional de São CarlosMrs. Meg Page
Veure elenc i equipFalstaff, Verdi
Teatro Regio di ParmaMrs. Meg Page
Veure elenc i equipDv.20:00
Lisbon, PortugalFalstaff, Verdi
Teatro Nacional de São CarlosMrs. Meg Page
Veure elenc i equipDg.16:00
Lisbon, PortugalFalstaff, Verdi
Teatro Regio di ParmaMrs. Meg Page
Veure elenc i equipDg.16:00
Lisbon, Portugal
Biografia
Considered by reviews with a "refined and browsed low register with resonant and powerful high notes" the Portuguese mezzo-soprano Cátia Moreso operatic roles include Jocasta in Oedipus Rex, Suzuki in Madame Butterfly, La baronesa in Lidane y Dalmiro (Lisbon Opera House), Ježibaba and 3rd Nymph in Rusalka in Valladolid, Dona Mor in O cavaleiro das mãos action all São by Ruy Coelho, Mother Goose the The Rake's Progress, Tisbe La Cenerentola, Eva in Comedy on the Bridge, Second Witch and Spirit in Dido and Aeneas, Page in Salome, Clotilde in Norma (Lisbon Opera House), Maddalena and Giovanna in Rigoletto, Mezzo in trio vocal of Lady Sarashina by Péter Eötvös, Giano in Almeida’s Trionfo D’Amore (Músicos do Tejo, Lisboa), 3rd Woman Farmer Village Romeo and Juliet by Delius, 3rd Lady in The Ma
