Muziekwerken
9Voorstellingscredits
Prestaties uit het verleden 2009 — Gisteren
Journée thématique "Georges Aperghis et le théâtre musical", AperghisBletsa
Haute école de musique de Genève - HEM-
Lecture-recital: Applying baroque musico-rhetorical tools on the singer’s actio to the performance of contemporary music scores, LullyAperghis
Haute école de musique de Genève - HEMVoix seule + 1 rollen
Bekijk programma, cast en crewMasterclass & Concert Danae Bletsa, CageAperghisHenderickx
Koninklijk Conservatorium AntwerpenVoix seule + 2 rollen
Bekijk programma, cast en crewRhetorica, LullyStrozzi, B.CarissimiRossi, LuigiLuzzaschiBernhard, ChristophHändelAperghis
Haute école de musique de Genève - HEMVoix seule
Bekijk programma, cast en crewUitgelichte optredens uit het verleden
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Rhetorica, LullyStrozzi, B.CarissimiRossi, LuigiLuzzaschiBernhard, ChristophHändelAperghis
Haute école de musique de Genève - HEMVoix seule
Bekijk programma, cast en crew
A tribute to Georges Aperghis - Day 3, GlobokarAperghis
Onassis FoundationVoix seule
Bekijk programma, cast en crew
Synthesis, Abazis, TheoKiriakosSiotasBletsa
A suite for cotophones, Bletsa
Il pianto delle Muse, in morte di Lord Byron by Rossini (arrangement), Rossini
Greek National OperaSoprano and composer
Bekijk programma, cast en crewIntro-showreel
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Giusto Ciel, in tal periglio - L'assedio di Corinto - Rossini - Danae Bletsa
Biografie
Danae Bletsa is a greek-born composer, lyrical soprano and music researcher. Being an active contemporary opera creator and an opera singer whose repertoire ranges from early to modern music, Danae is proving herself to be a significantly versatile artist committed to the creation of a bridge between the classical and the contemporary. Having been admitted with scholarship and 1st prize at the University of Music Science and Art in Thessaloniki, Greece, she obtained her Bachelor of Music (BMus) in Composition from the Conservatorium van Amsterdam (CvA) with Wim Henderickx and Richard Ayres. For her Master of Music (MMus) at the same institute, she was the first to combine the study of opera composition (Prof.: Richard Ayres) with opera singing (Prof.: Claron Mc Fadden) in a pioneering, se
