Nadchádzajúce predstavenia Dnes ďalej
Minulé vystúpenia 1997 – včera
Semyon Bychkov: Mahlers Sinfonie der Tausend, Mahler
NDR Elbphilharmonie OrchesterPater Profundus (Bass)
Pozrite si hercov a štábRoméo et Juliette (Romeo and Juliet), Gounod
The Metropolitan OperaComte Capulet (Count Capulet)
Pozrite si hercov a štábKarina Canellakis conducts Haydn and Bartók with Alisa Weilerstein, HaydnBartók
Boston Symphony OrchestraA kékszakállú herceg (Bluebeard)
Pozrite si program, herecké obsadenie a štábSemyon Bychkov: Mahlers Sinfonie der Tausend, Mahler
NDR Elbphilharmonie OrchesterPater Profundus (Bass)
Pozrite si hercov a štábRoméo et Juliette (Romeo and Juliet), Gounod
The Metropolitan OperaComte Capulet (Count Capulet)
Pozrite si hercov a štábKarina Canellakis conducts Haydn and Bartók with Alisa Weilerstein, HaydnBartók
Boston Symphony OrchestraA kékszakállú herceg (Bluebeard)
Pozrite si program, herecké obsadenie a štábDas Rheingold (The Rhinegold), Wagner, Richard
Theater BaselWotan
Pozrite si hercov a štábso19:00
Basel, SwitzerlandDie Walküre (The Valkyrie), Wagner, Richard
Theater BaselWotan
Pozrite si hercov a štábne17:00
Basel, SwitzerlandDas Rheingold (The Rhinegold), Wagner, Richard
Theater BaselWotan
Pozrite si hercov a štábpo19:00
Basel, SwitzerlandDie Walküre (The Valkyrie), Wagner, Richard
Theater BaselWotan
Pozrite si hercov a štábut18:00
Basel, SwitzerlandDas Rheingold (The Rhinegold), Wagner, Richard
Theater BaselWotan
Pozrite si hercov a štábso19:00
Basel, SwitzerlandDie Walküre (The Valkyrie), Wagner, Richard
Theater BaselWotan
Pozrite si hercov a štábne17:00
Basel, SwitzerlandHamlet, Thomas
Opéra de MontréalClaudius (King Claudius)
Pozrite si hercov a štábGrammy, Juno and Echo Award winner Nathan Berg continues to captivate audiences around the world with his “oaken” (Financial Times), “solid, communicative” (New York Times), “dark-chocolate” (Vancouver Courier) “first-class voice” (Boston Globe) and as a “brilliant actor and a palpable presence on stage” (Financial Times). “A miracle of vocal ease and theatrical characterization” (ResMusica), “his technique is impeccable” (Opera News) and he possesses “a voice not only powerful and full of meaning, but of such velvet beauty” (The Times). With a repertoire that widely encompasses music from five centuries and an expansive discography, his ever-evolving career continues to grow from strength to strength. Nathan begins and ends an exciting 23/24 season as Wotan in Wagner’s Das Rheingold and