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Il turco in Italia, Rossini
D: Mariame Clément
C: Giancarlo Andretta
Glyndebourne Festival Opera Review: Káťa Kabanová and Il Turco in Italia

The whole cast sing, act and dance with great skill and hilarity, Italian conductor Sesto Quatrini gets into the spirit of the fun, and it all adds up to exactly what we need at the end to mark the end of Covid.

Per saperne di più
25 maggio 2021www.express.co.ukWilliam Hartson
Glyndebourne Festival 2021 Review: ‘Il turco in Italia’ A sparkling vision of Rossini’s farce is a delight throughout

In this new production of “Il turco in Italia,” Mariame Clément makes it a story about storytelling, overlaying a totally original supplementary story created by Lucy Wadham. Poet Prosdocimo is a famous novelist, who is signing copies of his book “Motherland,” before beginning work, years later, on his comedy, to be titled “The Turk.” The other characters emanate from his creative consciousness, where he tries on different styles and moods, his thoughts projected on a big notepad that sits upstage. “19th Century (“not sexy”), he muses, before moving the action into the 1950s (“neorealism”), in a delicatessen that could be straight out of Fellini, designed beautifully and colorfully by Julia Hansen.

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03 giugno 2021operawire.comBenjamin Poore