Būsimi pasirodymai Šiandien Pirmyn
Ankstesni pasirodymai 1946 – vakar
Grandes pages d’opéra, MozartBeethovenTchaikovsky, P. I.DonizettiVerdiGounodOffenbachBizet
Opéra Orchestre National de MontpellierLeningrad Oblast Symphony Orchestra, BizetFallaVarious
St Petersburg PhilharmonicHommage à Viliam Farkaš and Joseph Kun, De SarasateBizetBottesiniHändelBreinerKreisler, F.Dinicu, A.Piazzolla
Slovak PhilharmonicLeningrad Oblast Symphony Orchestra, BizetFallaVarious
St Petersburg PhilharmonicHommage à Viliam Farkaš and Joseph Kun, De SarasateBizetBottesiniHändelBreinerKreisler, F.Dinicu, A.Piazzolla
Slovak PhilharmonicMusique de Printemps, PurcellHändelWalsh, P.FauréBartókGurney, I.BizetChabuca Granda
Lyrique en merpir19:30
Basel, SwitzerlandCarmen, Bizet
Mikhailovsky Theatreant19:00
Saint Petersburg, Russiaant14:00
Helsinki, FinlandÓpera Carmen, de Georges Bizet, Bizet
Theatro Municipal de São Pauloant20:00
São Paulo, Brazilant15:00
Helsinki, Finlandant19:30
Reading, United KingdomCarmen, Bizet
Mikhailovsky Theatretre19:00
Saint Petersburg, RussiaGala Concert, BeethovenBizetMendelssohn
Hyogo Performing Arts CenterMeilhac was born in the 1st arrondissement of Paris in 1830. As a young man, he began writing fanciful articles for Parisian newspapers and comédies en vaudevilles, in a vivacious boulevardier spirit which brought him to the forefront. About 1860, Meilhac met Ludovic Halévy, and their collaboration for the stage lasted twenty years. Their most famous collaboration is the libretto for Georges Bizet's Carmen. However, Meilhac's work is most closely tied to the music of Jacques Offenbach, for whom he wrote over a dozen librettos, most of them together with Halévy. The most successful collaborations with Offenbach are La belle Hélène (1864), Barbe-bleue (1866), La Vie parisienne (1866), La Grande-Duchesse de Gérolstein (1867), and La Périchole (1868). Other librettos by Meilhac include Jules