Sound designer

Ilya Oleynik

Artist

Approved

2021

2018

Individual contributor id

include virtual contributors

Pianoforte

Instrumentalist

Violinista

Cellist

Violista

Flautista

Clarinetist

Percussionist

Guitarist

Organist

hornist

Oboist

Bassoonist

Trumpeter

Contrabasso

Trombonist

Harp player

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Basso Continuo

Vibraphonist

Theorbist

Cornettist

Viola d’amore Player

Synthesist

Composizione

Direzione d'orchestra

Regia

Libretto

Scenografia

Costumi

Coreografia

Luci

Ballerino/a

Recitazione

Direzione del coro

Video

Drammaturgia

Traduzione

Maestro accompagnatore

Trucco

Produzione esecutiva

Parrucco

Altro

Stage Manager

Coro

Orchestra

Poeta

Docente di canto

Insegnante

Fotografia

Emittente radiotelevisiva

Wig & Makeup Designer

Illustrator

Scrittura

Scrittura ed esecuzione

Chorus Director

Orchestra Operations

Extra

Mezzosoprano

Singer

Controtenore

Contralto

Baritono

Basso

Soprano

Tenore

Basso-baritono

Verbale

Voce bianca

Silenzioso

Alto

Each of Pushkin’s “Little Tragedies” explores one of human vices. Following Pushkin’s plot N. Rimsky-Korsakov displays the grievous one of them- Envy in his opera “Mozart and Salieri”. A craftsman is deeply envious of a genuine talent. Although there are no trustworthy evidences of Salieri being responsible for Mozart’s death, A.S. Pushkin stigmatized him as poisoner for good. What is more important: meticulous work or a stroke of genius; is a genius man capable of villainy – ageless questions that disturbed both the poet and the composer.

Mozart And Saleri

Mozart e Salieri

Ilya Oleynik

Crediti di rappresentazione

Spettacoli passati in primo piano

Video correlati

Foto in evidenza

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