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TENOR JAMES KRYSHAK WAS THE IMAGE OF TRANSFIXED ARDOR IN THE SERENE ARIA, O BLONDE CERES FROM BERLIOZ’S LES TROYENS. ROOTED CENTER STAGE, HE SENT BERLIOZ’S GENTLY CURVING, LONG-LINED MELODIES TO THE FAR REACHES OF THE THEATER, HIS VOICE FULL OF WARMTH AND JOY.

Les mer
05 april 2017Classical Review

A delight in the acting arena, James Kryshak as the crumbled Schoolmaster”

Les mer
05 april 2017Der Standard (Vienna)

Tidligere produksjonsanmeldelser

8
The Nose, op. 15, Shostakovich
D: Herbert Fritsch
C: Clemens Heil
One is drawn into a sound experience by many surprising influences from various musical styles.

Herbert Fritsch , known for his colorful and extremely lively productions, makes all the actors appear like puppets in constant motion and demands everything from the singers. There is hardly a moment when there aren't exaggerated gestures and constant jumping, twitching and grimacing. Everything looks extremely abstract. This may have some entertainment value, but over time it just becomes too much.

Les mer
30 november 2021opernmagazin.deMarco Stücklin
One is drawn into a sound experience by many surprising influences from various musical styles.

Herbert Fritsch , known for his colorful and extremely lively productions, makes all the actors appear like puppets in constant motion and demands everything from the singers. There is hardly a moment when there aren't exaggerated gestures and constant jumping, twitching and grimacing. Everything looks extremely abstract. This may have some entertainment value, but over time it just becomes too much.

Les mer
30 november 2021opernmagazin.deMarco Stücklin
Les Huguenots, Meyerbeer
D: David Alden
C: Michele MariottiIdo Arad
Opera Magazine

Derek Welton gave the murderous St Bris appropriately lugubrious tones.

Les mer
01 februar 2017Carlos María Solare
Das Opernglas

Höchste Kompetenz und unermüdlicher Wohlklang [kam] auch von Derek Welton (Saint-Bris)

Les mer
01 desember 2016M Lehnert