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Jorge Navarro Colorado

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Jorge Navarro Colorado
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  • Singing from memory (that is twelve arias in total) Navarro Colorado succeeded in making this music count dramatically. No matter the technical complexities, he never lost sight of the drama and for each aria conjured a sense of character and pace. Words were terrific, spat out where necessary and always present. Born in Spain and trained in the UK, Navarro Colorado is clearly not just happy in Italian but can use the language expressively in this complex music. Tall and distinguished-looking, he cut a striking figure and was adept at using his face to complement the expressivity of his singing. His voice has a fine, strong middle which seems very necessary in this music (Fabri’s range was from B to a’) where a lot of the busier passages sat, but Navarro Colorado also has a lovely free top. We were able to be dazzled by his singing, be amazed by the crazy music but never did we have to worry about whether he would make it. All was free and easy.
    Robert Hugill
  • Always a stylish singer Jorge Navarro Colorado combined a superb sense of Handel's music, and some brilliant yet apposite ornamentations with a dramatic intensity that bordered on the disturbing. Navarro Colorado crowned a stupendous performance with a death scene that dramatically seemed modern yet stayed musically within the 18th century conventions. A terrific achievement.
    Robert Hugill
  • Sublime singing from Jorge Navarro Colorado's finely nuanced tenor.
    Susan Nickolls
  • The show is stolen by Jorge Navarro Colorado. The Spanish tenor has a sound that is never forced, agile coloratura and an easy high register. Without a doubt, he's the revelation of this recording and one to be watched.
    Raúl González Arévalo
  • The Alicante-born tenor Jorge Navarro Colorado stood out as Telemaco, with an undeniable stage presence and with high-flying singing quality. Magnificent in the scenes with Mark Padmore and with the also very solid Eumete of Mark Milhofer.
    Albert Garriga
  • Gloriously heroic is the Telemaco of tenor Jorge Navarro Colorado, luminous timbre and vocal security.
    Renato Verga
  • Another one of the most outstanding voices of the evening was that of the Spanish tenor - although he is hardly ever featured in his country - Jorge Navarro Colorado. Trained in England (Guildhall School of Music and Drama, Britten-Pears and Samling programmes), the Alicante-born portrayed the son of Ulisse with vocal splendour already at the beginning of the second act - Telemaco doesn't appear until then-, with a timbre of great beauty, a role that possesses more cantabile moments, which allowed him to show his qualities in terms of phrasing, roundness, luminosity, intonation and projection. He is one of those tenors forged in baroque singing, with a discourse in which there are no unnecessary artificial vocal mannerisms or affectations. With him, it all stems from the natural, for which one is enormously grateful, as he demonstrated with a very clean, neat and round top, which he accompanied with a very careful diction. The homogeneity of his chest and head registers is admirable, sustaining a line of singing of great fluidity and flexibility, supported again by a "continuo" of excellent level. He ornamented with elegance and very much in style, as he demonstrated in his interventions. The scenes with his father were, without a doubt, some of the most outstanding of the evening, especially the dialogue «O padre sospirato!/ O figlio desiato!». Otherwise, he comfortably sailed through the somewhat sober "recitati", with less melodic embellishment than other passages, but equally effective.
    Mario Guada
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Actuaciones pasadas 2010 — Ayer

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ConcertNueva producciónFestivalMatiné

Il Trionfo del Tempo e del Disinganno, Händel

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L'incoronazione di Poppea (La coronación de Poppea), Monteverdi

The Grange Festival

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Concert

La Creación de Haydn, Haydn

L'Auditori

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Alcina, Händel

Schlote Salzburg

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Alcina, Händel

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La vida breve, Falla

ADDA Alicante

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  • Handel’s Il Trionfo del Tempo e del Disinganno: Il Trionfo del Tempo e del Disinganno Händel
  • Il Trionfo del Tempo e del Disinganno: Il Trionfo del Tempo e del Disinganno Händel
  • Il Trionfo del Tempo e del Disinganno: Il Trionfo del Tempo e del Disinganno Händel
  • Il Trionfo del Tempo e del Disinganno: Il Trionfo del Tempo e del Disinganno Händel
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Buxton International Festival

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  • L'incoronazione di Poppea Monteverdi
  • L'incoronazione di Poppea Monteverdi
  • L'incoronazione di Poppea Monteverdi
  • L'incoronazione di Poppea Monteverdi
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The Grange Festival

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  • The Creation by Haydn
  • Marta Gardolińska
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La Creación de Haydn, Haydn

L'Auditori

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  • Alcina
  • Alcina Händel
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  • Alcina
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Il Ritorno Di Ulisse In Patria, Monteverdi

Ravenna Festival
C: Ottavio DantoneD: Pier Luigi Pizzi

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vie.20:00

Rávena, Italia (Teatro Dante Alighieri)
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C: Ottavio DantoneD: Pier Luigi Pizzi

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sáb.20:00

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Il Ritorno Di Ulisse In Patria, Monteverdi

Ravenna Festival
C: Ottavio DantoneD: Pier Luigi Pizzi

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Dido And Aeneas On The Day Of St. Cecilia, Purcell

Ravenna Festival
C: Ottavio DantoneD: Pier Luigi Pizzi

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mar.20:00

Rávena, Italia (Teatro Dante Alighieri)
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Rinaldo HWV7b (1731) at Halle Händel Festspiele Georg Friedrich Händel, Händel-Festspiele Halle

Il ritorno d'Ulisse in patria - (El regreso de Ulises a la patria) Claudio Monteverdi, Grand Théâtre de Genève

Dido and Aeneas - (Dido y Eneas) Henry Purcell, English Touring Opera

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Biografía

Jorge Navarro Colorado studied classical singing and opera at the Guildhall School of Music and Drama in London, and completed his training in the Britten-Pears and Samling programs. Engagements in 2023/2024 include The Messiah with the Orquesta Sinfónica de Bilbao conducted by Aarón Zapico and with the Orquesta Barroca de Sevilla at the Auditorio Nacional in Madrid, Stravinsky's Pulcinella with the BBC National Orchestra of Wales, Handel’s Alcina (Oronte) in Berlin with Lautten Compagney, Haydn’s Die Schöpfung with the Orquestra Simfònica de Barcelona i Nacional de Catalunya (OBC) at the Palau de la Música Catalana in Barcelona and Monteverdi’s L’Incoronazione di Poppea at the Grange Festival in England. In the 2022/2023 season, Jorge performed as Goffredo in Handel's Rinaldo with Capel

Repertorio

55
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Bach, J. S.
Mass in B minor, BWV 232
Tenor
Magnificat BWV 243
Tenor
Weihnachts-Oratorium, BWV 248
Tenor Evangelist
Blow
Venus and Adonis
Tenor solos
Britten
A Midsummer Night's Dream
Flute
Carissimi
Jonas
Jonas
Falla
La vida breve
Voz en la fragua
Gesualdo
I Will Not Speak
No role specified
Händel
Lotario
Berengario
Partenope
Emilio
Acis and Galatea
Primer demonio Coridon
Rodrigo
Giuliano
Brockes-Passion, HWV 48
Peter Petrus
Messiah
Tenor
Alcina
Oronte
Tamerlano
Bajazet
Scipione
Lelio
Rinaldo
Goffredo
Ariodante
Soloists
Theodora
Septimius
Alessandro
ALEXANDER
Il Trionfo del Tempo e del Disinganno
El Tiempo
Haydn
Armida
Clotarco
Die Schöpfung, Hob. XXI:2
Tenor
Keiser
Crésus
Eliates
Croesus
Eliates
Mariotte
Salomé
Deuxième soldat
Massenet
Don Quichotte
Rodriguez Quatre bandits
Monteverdi
Vespro della Beata Vergine
Tenor I
L'incoronazione di Poppea
Liberto Primer soldado
L'Orfeo
Apolo
Il ritorno d'Ulisse in patria
Telémaco Anfinomo
Mozart
Idomeneo
Arbace
Don Giovanni
Don Ottavio
Die Zauberflöte
Tamino
Requiem, K. 626
Tenor
Purcell
Dido and Aeneas
Primera bruja Marinero
The Tempest
Æolus
Puts
Silent Night
Gueusselin
Rameau
Hippolyte et Aricie
Mercure (cover)
Rossini
Armida
Eustazio (cover)
Salieri
La locandiera
Il Conte di Albafiorita
Stravinsky
Pulcinella
Tenor
Terradellas, D. M. B.
Giuseppe Riconosciuto
Singer
Verdi
La Traviata
Gastone Giuseppe
Alzira
Otumbo
Vivaldi
La Griselda
Gualtiero
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