Creidmheasanna feidhmíochta
Léirithe le Teacht Inniu Ar Aghaidh
Léirithe san am a chuaigh thart 2008 — Inné
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Don Carlos (French version), Verdi
Grand Théâtre de GenèveStage director
Féach ar an bhfoireann agus an fhoireannLe nozze di Figaro (The Marriage of Figaro), Mozart
Staatsoper HannoverStage director
Féach ar an bhfoireann agus an fhoireannDie Frau ohne Schatten (The Woman without a Shadow), Strauss
Herbstfestspiele Baden-BadenStage director
Féach ar an bhfoireann agus an fhoireannLéirithe san am atá caite
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Don Carlos (French version), Verdi
Grand Théâtre de GenèveStage director
Féach ar an bhfoireann agus an fhoireann
Le nozze di Figaro (The Marriage of Figaro), Mozart
Staatsoper HannoverStage director
Féach ar an bhfoireann agus an fhoireannLéirithe le Teacht
32Salome, Strauss
Opéra National de ParisStage director
Féach ar an bhfoireann agus an fhoireannDéa20:00
Paris, FranceLe nozze di Figaro (The Marriage of Figaro), Mozart
Staatsoper HannoverStage director
Féach ar an bhfoireann agus an fhoireannhAo19:30
Hanover, GermanySalome, Strauss
Opéra National de ParisStage director
Féach ar an bhfoireann agus an fhoireannLe nozze di Figaro (The Marriage of Figaro), Mozart
Staatsoper HannoverStage director
Féach ar an bhfoireann agus an fhoireannDom18:30
Hanover, GermanySalome, Strauss
Opéra National de ParisStage director
Féach ar an bhfoireann agus an fhoireannCéa20:00
Paris, FranceLe nozze di Figaro (The Marriage of Figaro), Mozart
Staatsoper HannoverStage director
Féach ar an bhfoireann agus an fhoireannhAo19:30
Hanover, GermanySalome, Strauss
Opéra National de ParisStage director
Féach ar an bhfoireann agus an fhoireann
Beathaisnéis
Born in Hartford, Connecticut, Lydia Steier first moved to Germany as a Fulbright Scholar following her vocal studies at Oberlin Conservatory of Music in Ohio. Steier’s work on The Lesson in Berlin’s HAU and on the multimedia production of Eight Songs for a Mad King, which was presented in Chicago, Cleveland, New York and Mexico, were the first two productions to bring her significant attention. Following that, Steier directed productions of La clemenza di Tito, and Brundibar for Opera Theater of Pittsburgh, Lohengrin at Los Angeles Opera, Madame Butterfly in Bremen, and The Merry Widow at the Deutsches Nationaltheater Weimar. Her stagings were further invited to festivals in Hong Kong, Dublin and New York. Based on her productions of Busoni’s Turnadot and Leonvallo’s Pagliacci, she was
