Izrādes kredīti
Gaidāmās izrādes Šodien Uz priekšu
Iepriekšējās izrādes 2008 — vakar
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Don Carlos (French version), Verdi
Grand Théâtre de GenèveStage director
Skatīt dalībniekus un komanduLe nozze di Figaro (The Marriage of Figaro), Mozart
Staatsoper HannoverStage director
Skatīt dalībniekus un komanduDie Frau ohne Schatten (The Woman without a Shadow), Strauss
Osterfestspiele Baden-BadenStage director
Skatīt dalībniekus un komanduPiedāvātās iepriekšējās izrādes
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Don Carlos (French version), Verdi
Grand Théâtre de GenèveStage director
Skatīt dalībniekus un komandu
Le nozze di Figaro (The Marriage of Figaro), Mozart
Staatsoper HannoverStage director
Skatīt dalībniekus un komanduGaidāmās izrādes
41Salome, Strauss
Opéra National de ParisStage director
Skatīt dalībniekus un komanduLe nozze di Figaro (The Marriage of Figaro), Mozart
Staatsoper HannoverStage director
Skatīt dalībniekus un komanduSv18:30
Hanover, GermanySalome, Strauss
Opéra National de ParisStage director
Skatīt dalībniekus un komanduT20:00
Paris, FranceLe nozze di Figaro (The Marriage of Figaro), Mozart
Staatsoper HannoverStage director
Skatīt dalībniekus un komanduPk19:30
Hanover, GermanySalome, Strauss
Opéra National de ParisStage director
Skatīt dalībniekus un komanduLe nozze di Figaro (The Marriage of Figaro), Mozart
Staatsoper HannoverStage director
Skatīt dalībniekus un komanduLa vestale (The Vestal Virgin), Spontini
Opéra National de ParisStage director
Skatīt dalībniekus un komanduS19:00
Paris, France
Biogrāfija
Born in Hartford, Connecticut, Lydia Steier first moved to Germany as a Fulbright Scholar following her vocal studies at Oberlin Conservatory of Music in Ohio. Steier’s work on The Lesson in Berlin’s HAU and on the multimedia production of Eight Songs for a Mad King, which was presented in Chicago, Cleveland, New York and Mexico, were the first two productions to bring her significant attention. Following that, Steier directed productions of La clemenza di Tito, and Brundibar for Opera Theater of Pittsburgh, Lohengrin at Los Angeles Opera, Madame Butterfly in Bremen, and The Merry Widow at the Deutsches Nationaltheater Weimar. Her stagings were further invited to festivals in Hong Kong, Dublin and New York. Based on her productions of Busoni’s Turnadot and Leonvallo’s Pagliacci, she was
